Leila Sales, author of TONIGHT THE STREETS ARE OURS, on not feeling jealous or inferior

by Jocelyn Rish

We are thrilled to have Leila Sales join us to share more about her latest novel TONIGHT THE STREETS ARE OURS.

Leila, what do you hope readers will take away from TONIGHT THE STREETS ARE OURS?

That just because someone’s life seems perfect online, that doesn’t mean it actually is, and you shouldn’t feel jealous or inferior for your real life not measuring up to the instagram version of somebody else’s.

How long or hard was your road to publication? How many books did you write before this one, and how many never got published?

In between THIS SONG WILL SAVE YOUR LIFE and TONIGHT THE STREETS ARE OURS, I pitched a minimum of four YA novels to my editor. It wasn’t until I came up with TONIGHT THE STREETS ARE OURS that we both felt good enough about the concept to move forward with it. And even then I wound up completely rewriting the pre-roadtrip section like five times!

What are you working on now?

My first-ever middle grade book is coming out early next year. It’s called ONCE WAS A TIME, and it’s a time-travel story about two best friends who are separated by time and space. Next I’m working on my next YA, but it’s still very early days, so I can’t say anything about that one yet.

Leila is having a huge virtual celebration tonight, and she’s inviting everyone to participate! Click this link to find out the details and join the party because #TonightTheStreetsAreOurs!

ABOUT THE BOOK

Tonight the Streets Are Ours
by Leila Sales
Hardcover
Farrar, Straus and Giroux
Released 9/15/2015

Recklessly loyal. That’s how seventeen-year-old Arden Huntley has always thought of herself. Taking care of her loved ones is what gives Arden purpose in her life and makes her feel like she matters. But lately she’s grown resentful of everyone–including her needy best friend and her absent mom–taking her loyalty for granted.

Then Arden stumbles upon a website called Tonight the Streets Are Ours, the musings of a young New York City writer named Peter, who gives voice to feelings that Arden has never known how to express. He seems to get her in a way that no one else does, and he hasn’t even met her. Until Arden sets out on a road trip to find him.

During one crazy night out in New York City filled with parties, dancing, and music–the type of night when anything can happen, and nearly everything does–Arden discovers that Peter isn’t exactly who she thought he was. And maybe she isn’t exactly who she thought she was, either.

Purchase Tonight the Streets Are Ours at Amazon
Purchase Tonight the Streets Are Ours at IndieBound
View Tonight the Streets Are Ours on Goodreads

ABOUT THE AUTHOR

Leila Sales was born in 1984 and grew up outside of Boston, Massachusetts. She graduated from the University of Chicago with a degree in psychology in 2006. Now she lives in Brooklyn, New York, and works in the mostly glamorous world of children’s book publishing. Leila spends most of her time thinking about sleeping, kittens, dance parties, and stories that she wants to write.

Have you had a chance to read TONIGHT THE STREETS ARE OURS yet? Do you compare your life to the seemingly perfect online lives of other people? What’s the most times you’ve completely rewritten a section of your novel?

Happy reading,

Jocelyn, Shelly, Martina, Erin, Lisa, Susan, Jen, Sam, Lindsey, Sandra, Kristin, and Anisaa

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Sep 19, 2015

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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