Merrie Destefano, author of VALIANT, on the importance of a lap blanket

by Jocelyn Rish

We’re thrilled to have Merrie Destefano stop by to tell us more about her latest novel, VALIANT.

Merrie, how long did you work on VALIANT?

VALIANT was the fastest book I ever wrote. It took me only three or four months to finish. However, it took years to edit. My agent and I shopped the book for five years, often doing edits for an editor who requested changes. So, to me, it really feels like this book took three months to write and five years to edit.

What do you hope readers will take away from VALIANT?

That we are all heroes and that we each have the capability to either save someone else, or to make a profound effect upon their life. Also, that sometimes you are strong, even when you’re at your weakest.

What’s your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?

I have many different rituals. Some pertain to editing, some to writing. For writing, I need music—preferably a fairly new playlist because new music forces my brain to think in a new and different way. If I’m at home, I also need incense (Nag Champa or Song of India Temple Incense are my favorites), burning candles and/or a string of Christmas lights. A snack and a drink are fun too. I love something crunchy (it actually helps to stimulate your brain) like popcorn or raw veggies, plus an iced latte. And an absolute necessity, no matter whether I’m working at home or at a coffee shop, is a lap blanket. I always get cold when I write, even in the middle of a sweltering summer.

ABOUT THE BOOK

Valiant
by Merrie Destefano
Paperback
Entangled: Teen
Released 12/4/2018

The Valiant was supposed to save us. Instead, it triggered the end of the world.

Earth is in shambles. Everyone, even the poorest among us, invested in the Valiant’s space mining mission in the hopes we’d be saved from ourselves. But the second the ship leaves Earth’s atmosphere, our fate is sealed. The alien invasion begins. They pour into cities around the world through time portals, possessing humans, forcing us to kill one another.

And for whatever reason, my brother is their number one target.

Now the fate of the world lies in the hands of me, a seventeen-year-old girl, but with the help of my best friend, Justin―who’s suddenly starting to feel like more―maybe if we save my brother, we can save us all…

Purchase Valiant at Amazon
Purchase Valiant at IndieBound
View Valiant on Goodreads

ABOUT THE AUTHOR

Novelist and magazine editor, Merrie Destefano writes dark stories with a thread of hope. She’s the editor of Victorian Homes magazine, Zombies magazine, and Haunted: Mysteries and Legends magazine. Her novels include, Lost Girls, Fathom, Shade, Afterlife and Feast, and she’s been published by Entangled Teen and HarperCollins. Her next novel, Valiant, is scheduled to release in December, 2018. For more information, visit her website at www.merriedestefano.com.

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Have you had a chance to read VALIANT yet? Does new music force your brain to think differently? Do you find crunchy foods help to stimulate your brain? Share your thoughts about the interview in the comments!

Happy Reading,

Jocelyn, Halli, Martina, Erin, Susan, Shelly, and Kelly

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Dec 8, 2018

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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