1st 5 Pages April Workshop Opens Tomorrow!

by Erin Cashman

Our April workshop will open for entries tomorrow, Saturday April 2, at noon, EST. We’ll take the first five Middle Grade or Young Adult entries that meet all guidelines and formatting requirements. (We are no longer taking New Adult entries.) Click here to get the rules. I will post when it opens and closes on Adventures in YA Publishing and on twitter (@etcashman), with the hashtag #1st5pages. In addition to our wonderful permanent mentors, we have author Estelle Laure and agent Rachel Burkot!

So get those pages ready – we usually fill up in under a minute!

April Guest Mentor: Estelle Laure

Estelle Laure is a Vonnegut worshipper who believes in love and magic and the power of facing hard truths. She has a BA in Theater Arts from New Mexico State University and an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts, and thinks everyone should have to wait tables or work in a kitchen at least once in their lives. She lives in Taos, New Mexico with her children.

THIS RAGING LIGHT

Can the best thing happen at the worst time?

Her dad went crazy. Her mom left town. She has bills to pay and a little sister to look after. Now is not the time for level-headed seventeen-year-old Lucille to fall in love. But love—messy, inconvenient love—is what she’s about to experience when she falls for Digby Jones, her best friend’s brother.

It was chosen as a 2015 BEA editor’s pick buzz book as well as a Panassus Book Club Selection.

Available wherever books are sold, including:

AMAZON, INDIEBOUND, BARNES & NOBLE

Add it to your shelf on Goodreads.

April Guest Mentor – Rachel Burkot

Rachel Burkot has been in the publishing industry since 2009. After completing an internship with two literary agencies, reading mostly young adult and thrillers, she then worked as an editor for Harlequin, acquiring category romance, contemporary romance, multicultural romance and women’s fiction. She has decided to transition her skills to the agenting world in order to be an advocate and champion for her authors because she loves finding new talent and helping authors’ dreams of publication come true.

Rachel’s career highlights include helping her authors achieve prestigious romance book nominations and two selective awards, including the National Readers Choice Award, and several top reviews in Romantic Times magazine for her books.

Rachel is drawn to voice-driven fiction, particularly in young adult; quirky, three-dimensional, flawed characters, including and especially secondary characters; beautiful writing; books that explore good people in morally complicated situations; and complex, detailed plots.

Rachel is interested in representing:- Women’s fiction
– Upmarket/book club fiction, i.e., Emily Giffin, Liane Moriarty and Diane Chamberlain
– Young adult (no fantasy or paranormal unless it’s very light)
– Contemporary romance, i.e., Kristan Higgins
– Category romance with unique, memorable plots, i.e., Natalie Charles
– Southern fiction
– “Dark” women’s fiction/thrillers, i.e., Gillian Flynn or Mary Kubica
– Urban fiction
– Literary fiction

Follow Rachel on Twitter at @Rachel_Burkot.

Erin Cashman

Erin Cashman writes young adult fantasy novels. She’s the award-winning author of The Exceptionals (which was named a Bank Street College of Education Best Children's Book) and Uncharted, now available from Page Street Publishing.

Erin lives in Massachusetts with her husband, three children, and their energetic rescue dog, Riley. When she’s not writing, Erin enjoys reading (of course!), walking her dog, hiking, and watching TV with her family (all diehard fans of Harry Potter, Lord of the Rings, Star Wars, and Star Trek). She also loves to bake. She’s known for making her family and friends ugly but yummy birthday cakes.

Post © Erin Cashman and/or Adventures in YA Publishing. All rights reserved.

Posted: Apr 1, 2016

Category: Imported from AYAP

Tags: 1st 5 pages workshop w/ Estelle Laure

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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