Holly Schindler, author of SPARK, on doing something writing-related every day

by Jocelyn Rish

SPARK is the latest novel from Holly Schindler, and we’re excited to have her here to chat about writing.

Holly, what book or books would most resonate with readers who love your book–or visa versa?

It’s not a book so much as it’s an experience, I think. Theater nuts should love SPARK. This is truly a book about the magic of the theater. Those who know what it’s like to be transformed as the curtain rises will interact with SPARK in a different way than those who perhaps haven’t had the same experience.

What’s your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?

I don’t work well in a public place. I do have a home office, and get a ton of work done there. But my favorite place to work is outside, on my deck. There’s something about being outside—without the constraints of any walls—that allows my mind to roam free. And there’s also the added benefit of being away from the TV, the phone, etc.

What advice would you most like to pass along to other writers?

1. Do something writing-related every day. You can’t get 5,000 words down every single day. But always make sure you do something that furthers you: brainstorm, edit, submit, read articles, read a new author…It all counts.

2. Don’t let the negative overwhelm you. No matter what stage you’re at in your career, you get rejection…and less-than-stellar reviews. Or slumpy sales. But there are always, always bright spots: for every bad review, there’s a fantastic one—or better yet, an email from a reader who fell in love with your story. And just when you think a book is going to die a quiet death and never really find its readership, it winds up getting on state reading lists or being picked up by the Scholastic Book Fair (which happened to my MG, THE JUNCTION OF SUNSHINE AND LUCKY).

3. Don’t be afraid to explore ALL your options. I became a hybrid author in ’15. Most writers focus on the financial aspects of independent publishing when they decide to go hybrid. But more than independent publishing has provided an additional source of income, it’s allowing me to explore different areas—short stories, a series, even illustration—at a much quicker pace. It’s an exciting time for me.

ABOUT THE BOOK

Spark
by Holly Schindler
Hardcover
HarperTeen
Released 5/17/2016

The local Avery Theater was just a run-down building to Quin—until her mother told her the tragic love story of Nick and Emma that played out on the theater’s stage all those years ago. Quin is convinced it’s the perfect story to rewrite for her drama class, but when she goes searching for more information, she makes a startling discovery—the Avery is rapidly regaining its former splendor and setting the stage for her classmates Dylan and Cass to relive Nick and Emma’s romance. Quin can see the spark between them, but it’s up to her to make sure her friends—and the Avery—can both be saved this time around.

Purchase Spark at Amazon
Purchase Spark at IndieBound
View Spark on Goodreads

ABOUT THE AUTHOR

Holly Schindler’s work has received starred reviews in Booklist and Publishers Weekly, has won silver and gold medals in ForeWord Reviews Book of the Year and the IPPY Awards, respectively, has been featured on Booklist’s Best First Novels for Youth and School Library Journal’s What’s Hot in YA, and has been a PW Pick of the Week. She is owned by a Pekingese named Jake, and can be found working on her next book in her hometown of Springfield, Missouri. She can also be found at hollyschindler.com.

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Have you had a chance to read SPARK yet? Do you find it freeing to write outside? Have you considered becoming a hybrid author? Share your thoughts about the interview in the comments!

Happy reading,

Jocelyn, Shelly, Martina, Anisaa, Sam, Erin, Susan, Michelle, Laura, and Kristin

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: May 22, 2016

Category: Imported from AYAP

Tags: YA Author Interviews

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← Previous: Lori Goldstein, author of CIRCLE OF JINN, on cutting yourself a break Next: Laurent Linn, author of DRAW THE LINE, on writing a novel being like sculpting →

The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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