Anna Priemaza, author of KAT AND MEG CONQUER THE WORLD, on being awesome

by Jocelyn Rish

We’re delighted to have Anna Priemaz stop by and talk to us about her debut novel, KAT AND MEG CONQUER THE WORLD.

Anna, what book or books would most resonate with readers who love your book–or visa versa?

In their lovely review, Booklist described KAT AND MEG CONQUER THE WORLD as appealing to “Gamer gals, devotees of Rainbow Rowell’s Fangirl (2013), and members of John and Hank Green’s nerdfighters,” which I think is a fairly accurate (and flattering) summary. It’s for readers who love nerdy, humorous, heart-warming stories.

If you like KAT AND MEG CONQUER THE WORLD, I strongly recommend Lianne Oelke’s NICE TRY, JANE SINNER, which comes out in January 2018, and which is one of the funniest, most delightful books I have ever read.

What do you hope readers will take away from KAT AND MEG CONQUER THE WORLD?

Being a geek is awesome. Gaming is awesome. Gaming as a girl is awesome. Friendship is awesome.
And also that I use the word awesome too much.

What’s your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?

My favourite place to write is on my balcony on my porch swing, with a notebook and pen and classical renditions of pop music playing in my headphones. But I live in a part of Canada where it snows seven months of the year, so most of the time I’m in my knitting room in my burnt orange comfy chair or in my basement office at my desk, typing up the thousands of words I’ve scribbled out by hand.

ABOUT THE BOOK

Kat and Meg Conquer the World
by Anna Priemaza
Hardcover
HarperTeen
Released 11/7/2017

For fans of Nicola Yoon’s Everything, Everything, Emery Lord’s When We Collided, and Rainbow Rowell’s Fangirl, Anna Priemaza’s debut novel is a heartwarming and achingly real story of finding a friend, being a fan, and defining your place in a difficult world.

Kat and Meg couldn’t be more different. Kat’s anxiety makes it hard for her to talk to people. Meg hates being alone, but her ADHD keeps pushing people away. But when the two girls are thrown together for a year-long science project, they discover they do have one thing in common: They’re both obsessed with the same online gaming star and his hilarious videos.

It might be the beginning of a beautiful friendship—if they don’t kill each other first.

Purchase Kat and Meg Conquer the World at Amazon
Purchase Kat and Meg Conquer the World at IndieBound
View Kat and Meg Conquer the World on Goodreads

ABOUT THE AUTHOR

Anna Priemaza is a contemporary young adult author and a practicing family and immigration lawyer in Edmonton, Alberta, where she lives with her husband. She can never quite remember how old she is, as she knits like an old lady, practices law like an adult, fangirls over YouTubers like a teen, and dreams like a child.

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Have you had a chance to read KAT AND MEG CONQUER THE WORLD yet? Do you like to write outside, weather permitting? Or do you prefer to be inside, looking out?

Share your thoughts about the interview in the comments!

Happy Reading,

Jocelyn, Anisaa, Erin, Martina, Charlotte, Erin, Susan, Shelly, Kelly, Laura, Emily, and Lori Ann

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Nov 11, 2017

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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