Book Anticipation Disappointment and The Books We Use To Get Over Them

by Adventures in YA Publishing

Hello Hello lovely readers! This is Alyssa here, and I know I never do any posts, but that’s mostly because I am so not a writer and I work on the behind the scenes stuff here but I had something to say today 🙂

Have you ever had that feeling of anticipating and anticipating a book for months on end, and you hype it up so much in your own mind that you just know it’s got to be the best book? And then when you finally get your hands on the gorgeous thing, it completely falls flat? I had this happen very recently with a book that i’ve been salivating over from the moment I first saw it on goodreads. I won’t say which book, because the absolute last thing I want is to discourage other readers from picking it up, especially because everyone has different tastes.

I was so disappointed by this book that I immediately had to go pick up another book. Luckily for me, it was a total win and I want to talk about something more positive than being disappointed by books, because no one likes that!

Morgan Matson’s SINCE YOU’VE BEEN GONE

The Pre-Sloane Emily didn’t go to parties, she barely talked to guys, she didn’t do anything crazy. Enter Sloane, social tornado and the best kind of best friend—the one who yanks you out of your shell.But right before what should have been an epic summer, Sloane just… disappears. No note. No calls. No texts. No Sloane. There’s just a random to-do list. On it, thirteen Sloane-selected-definitely-bizarre-tasks that Emily would never try… unless they could lead back to her best friend. Apple Picking at Night? Ok, easy enough.Dance until Dawn? Sure. Why not? Kiss a Stranger? Wait… what?

Getting through Sloane’s list would mean a lot of firsts. But Emily has this whole unexpected summer ahead of her, and the help of Frank Porter (totally unexpected) to check things off. Who knows what she’ll find?

Go Skinny Dipping? Um…

—

Morgan Matson has done it again with this book. If you haven’t read AMY & ROGER’S EPIC DETOUR or SECOND CHANCE SUMMER, you are seriously missing out. Morgan is able to create these coming of age stories that deal with grief and loss in such interesting and heart wrenching ways. Emily’s loss in this book was from a death of a close family member, but from a best friend suddenly gone. It was different and fresh, and not your typical bucket list kind of book. There was something personal and unique about each of the tasks Sloane leaves for Emily to do, and learning what the significance behind each one was a blast. Emily was a bright, fun and dynamic leading lady and SINCE YOU’VE BEEN GONE has quickly shot to one of my favourite contemporaries ever. It was the perfect book to completely take me out of the funk I felt after having to put down one of my most anticipated reads of 2014!

Amazon | IndieBound | Goodreads

Do you ever have that feeling of crushing disappointment? What were some of the Young Adult books you can always rely on to pull you out of a reading funk or get over a disappointing book?

Adventures in YA Publishing

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Posted: Apr 23, 2014

Category: Imported from AYAP

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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