Brian Falkner, author of ICE WAR, on letting characters surprise you

by Adventures in YA Publishing

Author Question: What is your favorite thing about ICE WAR?

Ice War takes the characters that have been slowly developing over two previous books and fleshes them out much more without sacrificing excitement and action. I loved getting more into their souls.

What scene was really hard for you to write and why, and is that the one of which you are most proud? Or is there another scene you particularly love?

One of the major characters dies in the book. A character we have got to know over two previous books. This was hard to write. It was like losing a close friend.

How long did you work on ICE WAR?

About a year, but including writing and editing.

What did this book teach you about writing or about yourself?

That even when you have lived with characters for more than two years, through two books, they still have the capacity to surprise you.

Was there an AHA! moment along your road to publication where something suddenly sank in and you felt you had the key to writing a novel? What was it?

The death of a major character. It lifted this from a simple action story to a real human drama about the things soldiers face and the things young people must learn to face as they come of age.

What are you working on now?

A new series set in an alternative history of earth in which dinosaurs still roam parts of the planet and are used as weapons of mass destruction.
The story is set during the Napoleonic wars.

ABOUT THE BOOK

Ice War
by Brian Falkner
Hardcover
Random House Books for Young Readers
Released 11/25/2014

A sci-fi military thriller perfect for kids who love Halo and Call of Duty!

February 2033. Things are not good. Recon Team Angel has been shut down, and if the alien forces manage to cross the frozen Bering Strait from Russia into Alaska, then humanity has lost the war. So far the aliens seem to be marshaling their resources, preparing for their invasion. But something isn’t right—at the control center, two Navy Seal teams have vanished without a trace. Did they lose their way on the ice? Or is something terrible happening? Recon Team Angel is secretly reinstated and authorized to investigate. What will they find in the frozen tundra? This could be their most chilling mission yet.

Purchase Ice War at Amazon
Purchase Ice War at IndieBound
View Ice War on Goodreads

ABOUT THE AUTHOR

BRIAN FALKNER, a native New Zealander, now lives in sunny Queensland, Australia. His keen interest in military history inspired the futuristic “history” of the Recon Team Angel books. Find him online at BrianFalkner.com.

Adventures in YA Publishing

This is the user name for posts from Adventures in YA Publishing that did not have a specific author.

Post © Adventures in YA Publishing. All rights reserved.

Posted: Nov 29, 2014

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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