Caleb Roehrig, author of WHITE RABBIT, on Second Book Syndrome

by Jocelyn Rish

We’re thrilled to have Caleb Roehrig join us to share more about his latest novel, WHITE RABBIT.

Caleb, what scene was really hard for you to write and why, and is that the one of which you are most proud? Or is there another scene you particularly love?

I hate writing scenes showing conflict between parents and children, because those interactions are so weighted and intense. I wrote two such scenes in WHITE RABBIT, and both took a lot of out of me. They were necessary, and I’m happy with the way they turned out, but it was rough. However, the scene I think I’m the proudest of is the one where Rufus and Sebastian finally address their past. The push and pull of their relationship is what drives a lot of Rufus’s emotional arc, and the scene where he finally gets to lay his feelings bare is a huge moment, and I’m really proud of it.

How long did you work on WHITE RABBIT?

From beginning the outline to completing the first draft, it took me maybe three months; but WHITE RABBIT was not the novel I originally envisioned being my sophomore title. I actually spent maybe six months on a totally different manuscript first, getting all the way to the end of it before deciding that it just wasn’t The One. People talk about Second Book Syndrome, and for me, it was the real deal; it was six months of absolute agony and self-doubt. Setting the project aside and starting over was really hard, but from page one, Rufus’s story flowed in a way that made me realize it had been the correct choice.

What’s your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?

My rituals have changed a bit over time, but generally speaking, I always write in the evening. Once upon a time, I read a piece where dozens of creative types had been surveyed, and all of them spoke about how they got all their best work done before ten in the morning; the next day, I got up at eight a.m. and…stared at a blank Word document for two hours, because I couldn’t form coherent sentences. Never again will I make the mistake of thinking I could become a morning person! So I write in the late afternoon or evening, I make myself a pot of tea (caffeine!), and I usually put my headphones in and listen to a white noise app. (Music is too distracting—I always sing along!)

What are you working on now?

I’m working on a lot. My third novel, DEATH PREFERS BLONDES, will be released in January of 2019; and I’m contributing to an anthology of short stories inspired by the works of Edgar Allan Poe, HIS HIDEOUS HEART, which will be released the following October. I’m contributing to a second anthology, which has yet to be announced, and I’m contracted for a fourth book as well—title and date TBD. So if your readers like my words, well…there are a lot more coming!

ABOUT THE BOOK

White Rabbit
by Caleb Roehrig
Hardcover
Feiwel & Friends
Released 4/24/2018

Rufus Holt is having the worst night of his life. It begins with the reappearance of his ex-boyfriend, Sebastian―the guy who stomped his heart out like a spent cigarette. Just as Rufus is getting ready to move on, Sebastian turns up out of the blue, saying they need to “talk.” Things couldn’t get worse, right?

Then Rufus gets a call from his sister April, begging for help. He and Sebastian find her, drenched in blood and holding a knife beside the dead body of her boyfriend, Fox Whitney.

April swears she didn’t kill Fox. Rufus knows her too well to believe she’s telling him the whole truth, but April has something he needs. Her price is his help. Now, with no one to trust but the boy he wants to hate yet can’t stop loving, Rufus has one night to clear his sister’s name . . . or die trying.

Purchase White Rabbit at Amazon
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ABOUT THE AUTHOR

Caleb Roehrig is a writer and television producer originally from Ann Arbor, Michigan. Having also lived in Chicago, Los Angeles, and Helsinki, Finland, he has a chronic case of wanderlust, and can recommend the best sights to see on a shoestring budget in over thirty countries. A former actor, Roehrig has experience on both sides of the camera, with a résumé that includes appearances on film and TV—as well as seven years in the stranger-than-fiction salt mines of reality television. In the name of earning a paycheck, he has: hung around a frozen cornfield in his underwear, partied with an actual rock-star, chatted with a scandal-plagued politician, and been menaced by a disgruntled ostrich.

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Have you had a chance to read WHITE RABBIT yet? Have you set a project aside and started over because it wasn’t The One? Are you a morning writer or an evening writer? Share your thoughts about the interview in the comments!

Happy Reading,

Jocelyn, Halli, Martina, Charlotte, Anisaa, Erin, Susan, Shelly, Kelly, Laura, Emily, and Lori Ann

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Apr 26, 2018

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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