Carol Riggs, author of THE LYING PLANET, on being inspired by noises in the night

by Jocelyn Rish

We’re thrilled to have Carol Riggs join us to chat about her latest novel THE LYING PLANET.

Carol, what was your inspiration for writing THE LYING PLANET?

This story was born one night in 2010 as I was lying in bed trying to go to sleep, and I thought I heard a noise out in the living room. It was probably our “haunted refrigerator” as we called it at the time—that thing made more noises than a backfiring old jalopy. But even though nothing was really there, my mind started spinning scenarios about What If. I figured this could be the initial pivotal moment of a YA novel, the story about a teen lying in the darkness of his room, and hearing… something…and getting up to investigate. That decision would be the beginning of a chain of events that would change his life forever.

What scene was really hard for you to write and why, and is that the one of which you are most proud? Or is there another scene you particularly love?

The final scenes were the most difficult for me to write, because they involve the grittier subjects of death, fighting, and slightly bloody battles that I usually avoid in my novels. I don’t usually kill off my characters or wound them so much! While I feel like I accomplished what I set out to do, and that’s satisfying, I still particularly love the first barn scene with Jay, Peyton, and Leonard. Such fun! Maybe I just enjoy being zany and romantic more than I like being somber and dramatic.

How long did you work on THE LYING PLANET?

Off and on for years. I began it in 2010 as a post-apocalyptic dystopian set on Earth, entitled SAFE ZONE. I finished the rough draft in early 2011, rewrote it from third to first person, and ditched it for a while to revise my debut novel. Then it got shelved while I focused on my debut submissions and wrote BOTTLED, which became my second novel that released in July 2016. In 2015, I came back to SAFE ZONE and decided to rewrite it as a science fiction set on the planet Liberty—which turned out to be a major worldbuilding revision. After I sold it to Entangled Teen that fall, it was re-titled THE LYING PLANET.

ABOUT THE BOOK

The Lying Planet
by Carol Riggs
Paperback
Entangled: digiTeen
Released 9/19/2016

Promise City. That’s the colony I’ve been aiming for all my life on the planet Liberty. The only thing standing in my way? The Machine. On my eighteenth birthday, this mysterious, octopus-like device will scan my brain and Test my deeds. Good thing I’ve been focusing on being Jay Lawton, hard worker and rule follower, my whole life. Freedom is just beyond my fingertips.

Or so I thought. Two weeks before my Testing with the Machine, I’ve stumbled upon a new reality. The truth. In a single sleepless night, everything I thought I knew about the adults in our colony changes. And the only one who’s totally on my side is the clever, beautiful rebel, Peyton. Together we have to convince the others to sabotage their Testings before it’s too late.

Before the ceremonies are over and the hunting begins.

Purchase The Lying Planet at Amazon
Purchase The Lying Planet at IndieBound
View The Lying Planet on Goodreads

ABOUT THE AUTHOR

Carol Riggs is an author of young adult fiction who lives in the beautiful green state of Oregon, USA. She enjoys reading, drawing and painting, writing conferences, walking with her husband, and enjoying music and dance of all kinds. You will usually find her in her writing cave, surrounded by her dragon collection and the characters in her head.

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Have you had a chance to read THE LYING PLANET yet? Have noises in the dark inspired you to write a story? Have you returned to a novel you set aside? Share your thoughts about the interview in the comments!

Happy reading,

Jocelyn, Shelly, Martina, Anisaa, Sam, Erin, Susan, Michelle, Laura, and Kristin

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Sep 25, 2016

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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