Chandler Baker, author of THIS IS NOT THE END, on writing while on maternity leave

by Jocelyn Rish

We are pleased to be joined by Chandler Baker, who tells us more about her latest novel, THIS IS NOT THE END.

Chandler, what scene was really hard for you to write and why, and is that the one of which you are most proud? Or is there another scene you particularly love?

There’s a scene in which my main character Lake talks to her quadriplegic brother, Matt, about sex. This is a scene my editor and I kept coming back to because we knew it was important to get right. It’s a weird thing for a character to have an in depth conversation about sex with her brother, but it’s necessary for these two people and it’s heartbreaking while at the same time hopeful. I had to do a lot of homework about quadriplegia and was lucky enough to speak with a man who was paralyzed in his teens who really helped me understand certain aspects better. It’s definitely the scene of which I’m most proud. When I got copy edits back, the copy editor had left a special note for my editor and me about the scene. That was so meaningful to me.

What book or books would most resonate with readers who love your book–or visa versa?

Readers who love bioethical questions may be especially interested in THIS IS NOT THE END–books like The Adoration of Jenna Fox by Mary E. Pearson or Unwind by Neal Shusterman.

Readers who love twists–books like We Were Liars by E. Lockhart or Everything, Everything by Nicola Yoon

Readers who love choices combined with life or death stakes–books like If I Stay by Gayle Forman or Before I Fall by Lauren Oliver

How long did you work on THIS IS NOT THE END?

I wrote the entire first draft on my 12-week maternity leave. I know that’s not the normal way to spend maternity leave and I committed to taking the first four weeks after my daughter’s birth off. But I was really inspired during that time. I felt vulnerable in a way I hadn’t before and I had quiet time in the middle of the night and during the day. My daughter was my best little writing buddy–at 2 years old, she’s not so helpful anymore…

ABOUT THE BOOK

This is Not the End
by Chandler Baker
Hardcover
Disney-Hyperion
Released 8/8/2017

I wonder if for the rest of my life, I’ll be haunted by beautiful days.

On one cloudless, radiant summer afternoon, Lake Devereaux lost everything. The car crash claimed the lives of her best friend and boyfriend, the people who had become her family after her own fell apart. But she doesn’t have to lose them both.

The development of resurrection technology has changed the world. Under the new laws regulating the process, each person gets one resurrection to be used or forfeited on their eighteenth birthday. Mere weeks away from turning eighteen, Lake faces an impossible choice.

Envisioning life without one of the people she loves most is shattering enough, but Lake carries an additional burden: years ago, under family pressure, Lake secretly—and illegally—promised her resurrection to someone who isn’t even dead yet.

The search for answers about her future draws Lake more deeply into the secrets of her past until she begins to question everything about those closest to her. Betrayals and hurts both new and old threaten to eclipse the memories she once cherished.

Then Lake meets a boy unlike anyone she’s encountered before, who unflinchingly embraces the darkest parts of her life . . . and who believes that all resurrections are wrong.

Which path is the right one? And how can Lake start to heal when she can’t move on?

Purchase This is Not the End at Amazon
Purchase This is Not the End at IndieBound
View This is Not the End on Goodreads

ABOUT THE AUTHOR

Chandler Baker got her start ghostwriting novels for teens and tweens, including installments in a book series that has sold more than 1 million copies. She grew up in Florida, went to college at the University of Pennsylvania and studied law at the University of Texas. She now lives in Austin with her husband. Although she loves spinning tales with a touch of horror, she is a much bigger scaredy-cat than her stories would lead you to believe.

You can find Chandler as the books contributor on the YouTube channel Weird Girls.

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Have you had a chance to read THIS IS NOT THE END yet? Do you have any scenes that require extensive research? Do you have to fit in writing around children? Share your thoughts about the interview in the comments!

Happy reading,

Emily, Jocelyn, Anisaa, Sam, Martina, Erin, Susan, Shelly, Kelly, Laura, and Lori Ann

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Aug 12, 2017

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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