Character Bucket List – Jag Barque from the Possession series by Elana Johnson

by Jan Lewis

Okay, so Jag Barque is a complicated character. He’s been able to control people with his voice since he could talk, and he lost his parents when he was only five years old. His brothers raised him, and he took over as leader of the Resistance when he was only thirteen.

He keeps most people out, choosing only to trust his older brothers and his best friend Zenn—until Zenn betrays him, resulting in Jag’s brother’s death. After that, Jag keeps everyone at arm’s length. At least until he meets Violet Schoenfeld. Then, all bets are off.

Jag’s bucket list is fairly short. He’s lived through lean times when he didn’t know where his next meal would come from or what city he’d call home for the night. So yeah. His bucket list only includes a few things:

1. Eat a home cooked meal for a week straight.
2. Teach Vi how to hoverboard.
3. Settle down in a small country town to accomplish #1 and #2 above.

Jag just wants a chance at a normal life, with the girl he loves. That’s not too much to ask for, is it? Apparently, when you live in the Association – the world in the Possession series – it just might be.

About the Book

Rebel and Thinker, commander and subordinate, friend and enemy: Rivals Jag and Zenn have always had a combative relationship. And Vi has made her choice between Jag and Zenn, and the Resistance may have suffered for it. But with the Thinkers as strong as ever, the rebels still have a job to do. Vi knows better than anyone that there’s more at stake than a few broken hearts.

But there is a traitor among them…and the choices he makes could lead to the total destruction of everything Vi has fought for.

Vi, Jag, and Zenn must set their problems aside for the Resistance to have any hope of ending the Thinkers’ reign. Their success means everything…and their failure means death.

Buy Abandon on Amazon
Find Abandon on Goodreads

About the Author

Elana is the author of the Possession series, which includes full-length novels POSSESSION, SURRENDER and ABANDON, and short stories REGRET (ebook only) and RESIST (free here!).

Elana wishes she could experience her first kiss again, tell the mean girl where to shove it, and have cool superpowers like reading minds and controlling fire. To fulfill her desires, she writes young adult science fiction and fantasy.

Using her boring human powers, she graduated from Southern Utah University with Summa Cum Laude honors in Elementary Education with a minor in Mathematics. She started her teaching career as an upper grade music and art specialist. After a four-year stint in 3rd grade, she is currently the technology specialist.

In her world, Oreos and bacon would be the only food groups. Everyone would drive 10 over the speed limit. Winter would be eliminated as a season, and Jeff Probst would be President. As it is, she lives with her husband and two kids in central Utah, gets cited when she drives too fast and eats Oreos only on special occasions.

She is the author of From the Query to the Call, an ebook that every writer needs to read before they query.

She runs a personal blog on publishing and is a founding author of the QueryTracker blog, a regular contributor to The League of Extraordinary Writers, and a co-organizer of WriteOnCon. She is a member of SCBWI, ANWA, and LDStorymakers. You can follow Elana on Twitter here.

Elana is represented by Michelle Andelman of Regal Literary.

Jan Lewis

Jan Lewis writes YA fantasy of the contemporary and traditional varieties. She lives in Oklahoma with a husband, two kids, two cats, a dog, and a mother. Instead of unpublished, she prefers to call herself pre-published. While she enjoys drafting, her heart is truly in rewriting and editing. She loves ladybugs, fairies, blue roses, cats, musical theater, and pretty much all things geek.

Post © Jan Lewis and/or Adventures in YA Publishing. All rights reserved.

Posted: Jun 13, 2013

Category: Imported from AYAP

Tags: Character Bucket List

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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