Big, fuzzing brown puppy sitting
Jack Russel sitting
Hound dog sitting
German Shepard sitting
Black and white spaniel sitting
Golden Retriever sitting
Husky laying down
Gray Pitbull sitting
Young Husky sitting
Cocker Spaniel sittting

Character Bucket List: Tessa from Susanne Winnacker’s IMPOSTER

by Jan Lewis

We’re excited to have Susanne Winnacker on the blog today. She’s the author of Imposter, The Other Life, and its forthcoming sequel The Life Beyond. Thanks for sharing with us today, Susanne!


Tessa’s Bucket List

Tessa, the main character of Impostor, has been an agent for FEA (Forces with Extraordinary Abilities) for two years and her bucket list would probably look like this:

1. Meeting her father and brother
Tessa was a toddler when they left her and her mother. She can’t remember them and her mother destroyed every photo of them.

2.Celebrating Christmas with a loving family
A loving family is something Tessa wants more than anything. That’s why it’s so hard for her to pretend to be Madison (the latest victim of the serial killer) in her first mission and be part of a family. Tessa’s mom never really took care of her.

3. Dating Alec
He’s a fellow FEA agent and a few years older than Tessa. He’s also the only person who really understands Tessa, since his parents haven’t exactly been kind to him either.

4. Being on a set of a horror movie production
Tessa loves horror movies, and so does Alec. They often spent evenings doing horror movie marathons.

5. Spending a day with her best friend Holly away from FEA headquarters and their supervision, just having fun and forgetting about her Variation
Tessa can absorb the DNA of anyone she touches and take on their appearance, but she really wants to feel like a normal girl for a day or two.


About the Book

CAN TESSA POSE AS MADISON . . . AND STOP A KILLER BEFORE IT’S TOO LATE?

Tessa is a Variant, able to absorb the DNA of anyone she touches and mimic their appearance. Shunned by her family, she’s spent the last two years training with the Forces with Extraordinary Abilities, a secret branch of the FBI.

When a serial killer rocks a small town in Oregon, Tessa is given a mission: she must impersonate Madison, a local teen, to find the killer before he strikes again.

Tessa hates everything about being an impostor—the stress, the danger, the deceit—but loves playing the role of a normal girl. As Madison, she finds friends, romance, and the kind of loving family she’d do anything to keep.

Amid action, suspense, and a ticking clock, this super-human comes to a very human conclusion: even a girl who can look like anyone struggles the most with being herself.

Amazon | Indiebound | Goodreads


About the Author

Susanne Winnacker studied law before she became a full-time writer. She lives with her husband, a dog and three bunnies in Germany. She loves coffee (in every shape and form), traveling and animals.
When she isn’t writing, you can usually find her in the kitchen, experimenting with new vegan dishes. Her YA thriller IMPOSTOR has been optioned for TV by Warner Brothers!

Blog | Twitter | Facebook

Jan Lewis

Jan Lewis writes YA fantasy of the contemporary and traditional varieties. She lives in Oklahoma with a husband, two kids, two cats, a dog, and a mother. Instead of unpublished, she prefers to call herself pre-published. While she enjoys drafting, her heart is truly in rewriting and editing. She loves ladybugs, fairies, blue roses, cats, musical theater, and pretty much all things geek.

Post © Jan Lewis and/or Adventures in YA Publishing. All rights reserved.
Posted: Aug 15, 2013
Category: Imported from AYAP
Tags: Character Bucket List

Welcome to Transmedia Mutts

Yellow origami dog on a teal background

Unleash your creative bark!

Shout out to AYAP!

Logo for Adventures in YA Publishing

Thank you to the women who started Adventures in YA Publishing and ran it for years. AYAP and TMM have merged to form Adventures in PUPlishing, and the legacy AYAP posts are now part of TMM. Click here to learn more about the earlier AYAP team.

 

Click to Join our Facebook Group

Share advice, practice pitching, celebrate successes, and support each other through writing and publishing adventures.

The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p> <p>Your main character needs to be:<br /> • Relatable enough for kids to see themselves<br /> • Unique enough to stand out in the slush pile<br /> • Active enough to drive the story<br /> • Memorable enough to survive multiple readings at bedtime</p> <p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />
The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p> <p>But your theme needs to be:<br /> • Subtle enough not to trigger the dreaded "didactic" rejection<br /> • Clear enough for a four-year-old to grasp<br /> • Universal enough to speak to both kids and adults<br /> • Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p> <p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />
The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p> <p>In general, your plot should:<br /> • Hook readers fast<br /> • Build tension that a child can follow<br /> • Create page turns that feel natural<br /> • Wrap up in a way that satisfies</p> <p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.
The Arms of your story are the side characters.
The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p> <p>Your setting should:<br /> • Make your character's world feel real<br /> • Contain your story in a way that makes sense to young readers<br /> • Connect different scenes and moments organically<br /> • Give your illustrator enough room to add visual subplots</p> <p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black. 

Use of this site constitutes an agreement to our Terms & Conditions and Privacy Policy.

AFFILIATE LINK DISCLAIMER: This site contains affiliate links, images, and ads to purchase various products. As an Amazon Associate, and a member of other affiliate programs, this site earns a commission from qualifying purchases if you click on one of these links, images, or ads.

© 2025 Transmedia Mutts, LLC. All Rights Reserved.