Cyn Balog, author of ALONE, on refusing to be a cookie-cutter

by Jocelyn Rish

We’re thrilled to have Cyn Balog stop to tell us more about her latest novel, ALONE.

Cyn, what was your inspiration for writing ALONE?

I grew up watching horror movies and reading a lot of Stephen King. ALONE started out as The Shining for teens but then morphed into its own beast, taking on elements from many of my favorite horror movies.

What book or books would most resonate with readers who love your book–or visa versa?

Anything Stephen King. When I was growing up, there wasn’t much of a YA section, so I went right into reading his stuff. I’d like to think of my book as a stepping stone for anyone who isn’t quite ready for that!

Was there an AHA! moment along your road to publication where something suddenly sank in and you felt you had the key to writing a novel? What was it?

Honestly, no. ALONE is my 8th published book and every time I sell a book, I doubt I’ll ever be able to recreate the magic again and always think it’ll be my last! I am honestly shocked I have lasted this long in this business.

What advice would you most like to pass along to other writers?

Persist, and don’t chase trends. I think I have survived this long as an author because I refuse to be a cookie-cutter and am constantly writing the books that I would want to read, whether or not I think anyone else will want to read them. I’ve been told so many times that I write quirky, different books, which makes sense, because I’m totally weird! But people like weird. Don’t be afraid to experiment and show your weird side. Own it.

What are you working on now?

My next novel is another dark and twisty tale, about a girl whose boyfriend committed suicide . . . or was it murder?

ABOUT THE BOOK

Alone
by Cyn Balog
Hardcover
Sourcebooks Fire
Released 11/1/2017

When her mom inherits an old, crumbling mansion, Seda’s almost excited to spend the summer there. The grounds are beautiful and it’s fun to explore the sprawling house with its creepy rooms and secret passages. Except now her mom wants to renovate, rather than sell the estate—which means they’re not going back to the city…or Seda’s friends and school.

As the days grow shorter, Seda is filled with dread. They’re about to be cut off from the outside world, and she’s not sure she can handle the solitude or the darkness it brings out in her.

Then a group of teens get stranded near the mansion during a blizzard. Seda has no choice but to offer them shelter, even though she knows danger lurks in the dilapidated mansion—and in herself. And as the snow continues to fall, what Seda fears most is about to become her reality…

Purchase Alone at Amazon
Purchase Alone at IndieBound
View Alone on Goodreads

ABOUT THE AUTHOR

Cyn Balog is the author of the young adult paranormal novels FAIRY TALE, SLEEPLESS, STARSTRUCK, TOUCHED, DEAD RIVER, and UNNATURAL DEEDS. She lives outside Allentown, Pennsylvania with her husband and daughters. Visit her online at www.cynbalog.com.

She also writes under the pen name Nichola Reilly. Nichola Reilly is Cyn Balog’s post-apocalyptic fantasy-writing alter-ego. The first book in her series, DROWNED, will be releasing from Harlequin TEEN sometime in 2014, followed by a sequel, BURIED, in 2015.

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Have you had a chance to read ALONE yet? Are you inspired the books you loved reading when you were young? Are you willing to experiment and show your weird side? Share your thoughts about the interview in the comments!

Happy Reading,

Jocelyn, Anisaa, Erin, Martina, Charlotte, Erin, Susan, Shelly, Kelly, Laura, Emily, and Lori Ann

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Nov 4, 2017

Category: Imported from AYAP

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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