Free 1st 5 Pages Writing Workshop Opens on Sat 2/4/17 w/ Lit Agent Kristy Hunter and Author Kelly Barson

by Erin Cashman

Our February workshop will open for submissions on Saturday, February 4th at noon, EST. In addition to our wonderful permanent mentors, we have Kelly Barson as our author mentor and Kristy Hunter as our agent mentor! (See below for Kristy’s background and query preferences!)

The workshop is designed to help writers struggling to find the right opening for their novel or for those looking to perfect the all important first five pages before submitting for publication. Why the first five pages? Because if these aren’t perfect, no agent, editor, or reader will continue reading to find out how great the rest of your story really is!

Why is the First Five Pages Workshop a GREAT Opportunity?

You are mentored by at least two traditionally-published published or agented authors for the duration of the workshop. These authors have been through the trenches and know what it takes to get a book deal, solid reviews, and sales.
In addition, you receive feedback from the four other workshop participants.
Feedback is given not just on your initial submission, but on two subsequent opportunities to revise your manuscript based on the previous feedback so that you know you’ve got it right!
The final revision will also be reviewed by a literary agent, who will also give you feedback on the pitch for your story–the one that may eventually become your query letter or cover copy.
The best entry from among the workshop participants will receive a critique of the full first chapter or first ten pages from the mentoring agent, which may, in some cases, lead to requests for additional material.

How It Works

Please see the complete rules before entering the workshop, but in a nutshell, we’ll take the first five Middle Grade or Young Adult entries that meet all guidelines and formatting requirements. (Double check the formatting – each month we have to disqualify entries because of formatting.) Click here to get the rules. I will post when the workshop opens and closes on Adventures in YA Publishing and on twitter (@etcashman), with the hashtag #1st5pages. In addition to the rotating team of our wonderful permanent author mentors, the final entry for each workshop participant will be critiqued by our agent mentor.

February Guest Literary Agent Mentor

Kristy Hunter joined The Knight Agency in April 2014. With a degree in Women & Gender Studies and English Literature from Vanderbilt University, Kristy moved to New York City immediately after graduation to try her hand at publishing. She completed the Columbia Publishing Course and worked in the city for several years—first at Grove/Atlantic and then at Random House Children’s Books—before deciding it was time to make the move back down south. She now takes advantage of her new surroundings by being outside as much as possible with her French bulldog, Gummi.

Kristy is currently accepting submissions from a wide variety of genres, including women’s fiction, mystery, historical romance, romance, young adult, and middle grade. Having spent significant time in the south and New York City, she particularly likes books set in these regions. She also enjoys books that feature horses, boarding schools, sisters, and sororities—to name just a few. Her favorite books include THE HELP by Kathryn Stockett, RULES OF CIVILITY by Amor Towles, THE TIME TRAVELER’S WIFE by Audrey Niffenegger, THE HUSBAND’S SECRET by Liane Moriarty, I’LL GIVE YOU THE SUN by Jandy Nelson, ANNA AND THE FRENCH KISS by Stephanie Perkins, and WONDER by R.J. Palacio.

February Guest Literary Author Mentor

K.A. (Kelly) Barson earned an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts. She and her husband live in Jackson, Michigan, surrounded by kids, grandkids, unruly dogs, a cat, and too many pairs of shoes. She feels most like herself when her hair is purple.

In addition to her own writing, she also teaches writing, spends every moment she can with her family, and procrastinates cleaning more than she should.

She is the author of 45 POUNDS MORE OR LESS, and CHARLOTTE CUTS IT OUT, both published by Viking Books for Young Readers.

CHARLOTTE CUTS IT OUT

Lydia and I were in eighth grade when we came up with our Grand Plan to go to cosmetology school and get jobs to build our clientele while we earned business degrees. Then we’d open our own salon . . .

Now Charlotte and Lydia are juniors, in a Cosmetology Arts program where they’ll get on-the-job training and college credits at the same time. The Grand Plan is right on schedule.

Which means it’s time for Step Two: Win the Winter Style Showcase, where Cos Arts and Fashion Design teams team up to dazzle the judges with their skills.

Charlotte is sure that she and Lydia have it locked up—so sure, in fact, that she makes a life-changing bet with her mother, who wants her to give up cos for college.

And that’s when things start going off the rails.

As the clock ticks down to the night of the Showcase, Charlotte has her hands full. Design divas. Models who refuse to be styled. Unexpectedly stiff competition. And then, worst of all, Lydia—her BFF and Partner in Cos—turns out to have a slightly different Grand Plan.

Like 45 Pounds (More or Less), K.A. Barson’s Charlotte Cuts it Out is a funny, relatable story set in the heart of the Midwest, just right for girls who have big dreams of their own.

Where to get a copy:
AMAZON BARNES & NOBLE INDIE BOUND

Add it on Goodreads!

So get those pages ready, we usually fill up in under a minute!

Happy writing (and revising!)

Erin

Erin Cashman

Erin Cashman writes young adult fantasy novels. She’s the award-winning author of The Exceptionals (which was named a Bank Street College of Education Best Children's Book) and Uncharted, now available from Page Street Publishing.

Erin lives in Massachusetts with her husband, three children, and their energetic rescue dog, Riley. When she’s not writing, Erin enjoys reading (of course!), walking her dog, hiking, and watching TV with her family (all diehard fans of Harry Potter, Lord of the Rings, Star Wars, and Star Trek). She also loves to bake. She’s known for making her family and friends ugly but yummy birthday cakes.

Post © Erin Cashman and/or Adventures in YA Publishing. All rights reserved.

Posted: Jan 31, 2017

Category: Imported from AYAP

Tags: #amrevising | #amwriting | 1st 5 pages workshop | Kelly Barson | Kristy Hunter

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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