Gregg Hurwitz, author of THE RAINS, on being inspired by zombie ants

by Jocelyn Rish

We’re thrilled to have Gregg Hurwitz stop by to share more about his latest novel THE RAINS.

Gregg, what was your inspiration for writing THE RAINS?

Probably a video I saw back in my high school science class that showed this: https://www.youtube.com/watch?v=-_1FjXb8T1Y.

I mean, ug, right? So it got me thinking. What if something like this happened to humans? More specifically—to adults? And what if those infected adults were even worse than zombie ants? What if they had holes bored straight through their heads in place of their eyes? What if their job was to seek out and round up kids? But we don’t know why they’re rounding up kids, so our main characters have to figure it out.

And it all exploded from there.

What book or books would most resonate with readers who love your book–or visa versa?

I think The Rains would resonate with Fifth Wave-ers. And people who dig Jonathan Maberry’s Rot & Ruin series (another of my favorites). And there’s also a strong influence of other great kids-battling-on-their-own stories, from Lord of the Flies to Battle Royale to The Hunger Games.

What do you hope readers will take away from THE RAINS?

I grew up reading Jack London and Robert Louis Stevenson, whose books featured YA characters acting in ways that were brave and heroic—and yet always real. They inspired me to face the world differently. Even the smaller, real-life challenges that I encountered could be met with better (for lack of better word) character. And while I didn’t always feel like the bravest or toughest kid when I was growing up, I could at least fake it. Someone smarter than me said, “Act like the person you want to be.” Fiction did that for me and I hope The Rains plays a small part in helping readers do that for themselves, too.

ABOUT THE BOOK

The Rains
by Gregg Hurwitz
Hardcover
Tor Teen
Released 10/18/2016

The first YA page-turner from New York Times bestselling author Gregg Hurwitz.

In one terrifying night, the peaceful community of Creek’s Cause turns into a war zone. No one under the age of eighteen is safe. Chance Rain and his older brother, Patrick, have already fended off multiple attacks from infected adults by the time they arrive at the school where other young survivors are hiding.

Most of the kids they know have been dragged away by once-trusted adults who are now ferocious, inhuman beings. The parasite that transformed them takes hold after people turn eighteen–and Patrick’s birthday is only a few days away.

Determined to save Patrick’s life and the lives of the remaining kids, the brothers embark on a mission to uncover the truth about the parasites–and what they find is horrifying. Battling an enemy not of this earth, Chance and Patrick become humanity’s only hope for salvation.

Purchase The Rains at Amazon
Purchase The Rains at IndieBound
View The Rains on Goodreads

ABOUT THE AUTHOR

Gregg Hurwitz is the New York Times bestselling author of 15 thrillers, including the recently released ORPHAN X. His novels have been shortlisted for numerous literary awards, graced top ten lists, and have been translated into 27 languages.

He is also a New York Times Bestselling comic book writer, having penned stories for Marvel (Wolverine, Punisher) and DC (Batman, Penguin). Additionally, he’s written screenplays for or sold spec scripts to many of the major studios, and written, developed, and produced television for various networks. Gregg resides in Los Angeles.

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Have you had a chance to read THE RAINS yet? Are you totally freaked out by that zombie ant video? Did fiction help you act like the person you wanted to be? Share your thoughts about the interview in the comments!

Happy reading,

Jocelyn, Shelly, Martina, Anisaa, Sam, Erin, Susan, Michelle, Laura, and Kristin

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Oct 22, 2016

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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