Gretchen McNeil, author of I’M NOT YOUR MANIC PIXIE DREAM GIRL, on writing a book without a dead body

by Jocelyn Rish

We’re thrilled to have Gretchen McNeil stop by to tell us more about her latest novel I’M NOT YOUR MANIC PIXIE DREAM GIRL.

Gretchen, what was your inspiration for writing I’M NOT YOUR MANIC PIXIE DREAM GIRL?

My deep loathing for the manic pixie dream girl trope, which I feel is demeaning, restricting, and potentially dangerous for young girls who may internalize the male idealization of a female muse.

What scene was really hard for you to write and why, and is that the one of which you are most proud? Or is there another scene you particularly love?

I had some trouble writing the scenes where my gay character Gabe tries on the persona of a flamboyant gay stereotype. Like with the manic pixie dream girl trope, this is a stereotype that can be really harmful not only to young gay men (who may think this is the only “way” to be an out homosexual) and to the LGBTQ community in general. Like idealizing women, homosexuality doesn’t fit into a box, and the community is made up of all shapes, sizes, personalities, etc. So writing this stereotype was difficult, even though I was using it to illustrate a point.

What did this book teach you about writing or about yourself?

I’M NOT YOUR MANIC PIXIE DREAM GIRL is the first book I’ve written without a dead body. And let me tell you, I was terrified of writing it! I wasn’t entirely sure I knew how to plot a book without a serial killer, monster, or other homicidal maniac driving the action, so I’m actually incredibly proud of how this feminist comedy turned out!

What do you hope readers will take away from I’M NOT YOUR MANIC PIXIE DREAM GIRL?

There are two things. First, the idea that our world doesn’t only exist in terms of black and white morals – you’re either a good guy or a bad guy, a protagonist or an antagonist, your choices are either right or wrong. In reality, the world is full of fuzziness and gray zones. Characters can make bad decisions for good reasons, and can vice versa, and sometimes, I little bit of empathy can go a long way.

Second, I want girls to know that they exist in this world independently from the way men idealize them. As I say in the book, “Women are not on this planet exclusively to inspire men and make them happy. We have our own dreams and needs, our own shit to get done.” That’s the message I want young readers to come away with!

ABOUT THE BOOK

I’m Not Your Manic Pixie Dream Girl
by Gretchen McNeil
Hardcover
Balzer + Bray
Released 10/18/2016

From acclaimed author Gretchen McNeil comes her first realistic contemporary romance—perfect for fans of Kody Keplinger’s The Duff and Morgan Matson’s Since You’ve Been Gone.

Beatrice Maria Estrella Giovannini has life all figured out. She’s starting senior year at the top of her class, she’s a shoo-in for a scholarship to M.I.T., and she’s got a new boyfriend she’s crazy about. The only problem: All through high school Bea and her best friends Spencer and Gabe have been the targets of horrific bullying.

So Bea uses her math skills to come up with The Formula, a 100% mathematically guaranteed path to social happiness in high school. Now Gabe is on his way to becoming Student Body President, and Spencer is finally getting his art noticed. But when her boyfriend Jesse dumps her for Toile, the quirky new girl at school, Bea realizes it’s time to use The Formula for herself. She’ll be reinvented as the eccentric and lovable Trixie—a quintessential manic pixie dream girl—in order to win Jesse back and beat new-girl Toile at her own game.

Unfortunately, being a manic pixie dream girl isn’t all it’s cracked up to be, and “Trixie” is causing unexpected consequences for her friends. As The Formula begins to break down, can Bea find a way to reclaim her true identity and fix everything she’s messed up? Or will the casualties of her manic pixie experiment go far deeper than she could possibly imagine?

Purchase I’m Not Your Manic Pixie Dream Girl at Amazon
Purchase I’m Not Your Manic Pixie Dream Girl at IndieBound
View I’m Not Your Manic Pixie Dream Girl on Goodreads

ABOUT THE AUTHOR

Gretchen McNeil is the author of the standalone YA horror novels POSSESS, TEN (2013 YALSA Top Ten Quick Pick for Reluctant Young Adult Readers, a Romantic Times Top Pick, a Booklist Top Ten Horror Fiction for Youth, a finalist for Washington state’s 2015 Evergreen Young Adult Book Award and Vermont’s 2014-2015 Green Mountain Book Award, and was nominated for “Best Young Adult Contemporary Novel of 2012? by Romantic Times) and 3:59, as well as GET EVEN and GET DIRTY, part of her mystery/suspense series Don’t Get Mad, all with Balzer + Bray for HarperCollins. In 2016, Gretchen will publish two novels: RELIC, a YA horror novel, with HarperCollins/EpicReads Impulse on March 8, 2016, and in the fall, I’M NOT YOUR MANIC PIXIE DREAM GIRL, her first YA contemporary, with Balzer + Bray. Gretchen also contributed an essay to the Dear Teen Me anthology from Zest Books.

Gretchen is a former coloratura soprano, the voice of Mary on G4’s Code Monkeys and she sings with the LA-based circus troupe Cirque Berzerk. She is repped by Ginger Clark of Curtis Brown, Ltd. You can find Gretchen on Twitter, Facebook, and on her blog.

—

Have you had a chance to read I’M NOT YOUR MANIC PIXIE DREAM GIRL yet? Do you set out to destroy tropes in your writing? Do you portray gray morals rather than black and white in your writing? Share your thoughts about the interview in the comments!

Happy reading,

Jocelyn, Shelly, Martina, Anisaa, Sam, Erin, Susan, Michelle, Laura, and Kristin

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Oct 22, 2016

Category: Imported from AYAP

Tags: YA Author Interviews

Welcome to Transmedia Mutts

Yellow origami dog on a teal background

Unleash your creative bark!

Shout out to AYAP!

Logo for Adventures in YA Publishing

Thank you to the women who started Adventures in YA Publishing and ran it for years. AYAP and TMM have merged to form Adventures in PUPlishing, and the legacy AYAP posts are now part of TMM. Click here to learn more about the earlier AYAP team.

Click to Join our Facebook Group

Share advice, practice pitching, celebrate successes, and support each other through writing and publishing adventures.

← Previous: Laurie Faria Stolarz, author of SHUTTER, on the benefits of joining a writers group Next: S. D. Grimm, author of SCARLET MOON, on acting out fight scenes with a wooden spoon →

The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

Dog holding a sign that says Pupdates!

Sign up for our newsletter for pupdates and publishing advice