Gretchen McNeil, author of #MURDERTRENDING, on channeling her angst into this book

by Jocelyn Rish

We’re delighted to have Gretchen McNeil swing by to chat about her latest novel, #MURDERTRENDING.

Gretchen, what was your inspiration for writing #MURDERTRENDING?

It all started with a discussion of horror and comedy, and why I love them together. That discussion included references to films like Scream as well as the magic that was Fox’s series Scream Queens. The question was posted: “What about a YA novel with Scream Queens levels of gore and camp?” My husband and I had recently rewatched the 1987 camp and gore (and Schwarzenegger) classic The Running Man which is very, very loosely based on a Stephen King novel of the same name, and suddenly, I had a book idea.

Scream Queens + The Running Man = #MurderTrending.

How long did you work on #MURDERTRENDING?

I sold this book on proposal (basically, a synopsis on two chapters) on Halloween 2016 – one week before the 2016 Presidential election – and delivered the first draft of the manuscript on February 1, 2017. It was a turbulent time, and I channeled all of my angst into this book.

What do you hope readers will take away from #MURDERTRENDING?

I want readers to laugh at the jokes and shake their heads at the over-the-top depiction of our world, but then I want them to wonder: How far away from this reality are we?

What are you working on now?

I’m currently finishing up revisions on #MurderFunding, the sequel to #MurderTrending, due out in August 2019. If the first book could be called “crazy,” the second book dials that insanity up to eleven. And I can’t wait for people to read it.

ABOUT THE BOOK

#MurderTrending
by Gretchen McNeil
Hardcover
Freeform
Released 8/7/2018

@doctorfusionbebop: Some 17 y. o. chick named Dee Guerrera was just sent to Alcatraz 2.0 for killing her stepsister. So, how long do you think she’ll last?

@morrisdavis72195: I hope she meets justice! She’ll get what’s coming to her! BWAHAHA!

@EltonJohnForevzz: Me? I think Dee’s innocent. And I hope she can survive.

WELCOME TO THE NEAR FUTURE, where good and honest citizens can enjoy watching the executions of society’s most infamous convicted felons, streaming live on The Postman app from the suburbanized prison island Alcatraz 2.0.

When seventeen-year-old Dee Guerrera wakes up in a haze, lying on the ground of a dimly lit warehouse, she realizes she’s about to be the next victim of the app. Knowing hardened criminals are getting a taste of their own medicine in this place is one thing, but Dee refuses to roll over and die for a heinous crime she didn’t commit. Can Dee and her newly formed posse, the Death Row Breakfast Club, prove she’s innocent before she ends up wrongfully murdered for the world to see? Or will The Postman’s cast of executioners kill them off one by one?

Purchase #MurderTrending at Amazon
Purchase #MurderTrending at IndieBound
View #MurderTrending on Goodreads

ABOUT THE AUTHOR

Gretchen McNeil is the author of the YA horror/suspense novels POSSESS, 3:59, RELIC, GET EVEN, GET DIRTY, and TEN (a YALSA Top Ten Quick Pick for Reluctant Young Adult Readers, a Romantic Times Top Pick, and a Booklist Top Ten Horror Fiction for Youth) all with Balzer + Bray for HarperCollins. Gretchen’s first YA contemporary I’M NOT YOUR MANIC PIXIE DREAM GIRL, also with Balzer + Bray, hit shelves in 2016, and her next novel will be the horror-comedy #MURDERTRENDING for Disney/Freeform in 2018.

Gretchen’s novels have been published internationally in Chinese, Spanish, Turkish, and Czech. The film adaptation of TEN starring China Anne McClain (Descendants 2, Black Lightning), Rome Flynn (The Bold and the Beautiful), and Callan McAuliffe (Flipped, I Am Number Four), directed by Chris Robert for Rain Maker Films, premieres on Lifetime on September 16, 2017.

Gretchen is repped by Ginger Clark of Curtis Brown, Ltd.

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Have you had a chance to read #MURDERTRENDING yet? Have TV shows and movies inspired your story ideas? Do you channel your emotions into your writing? Share your thoughts about the interview in the comments!

Happy Reading,

Jocelyn, Halli, Martina, Erin, Susan, Shelly, Kelly, Laura, Emily, and Lori Ann

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Aug 12, 2018

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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