Hillary Monahan, author of MARY: UNLEASHED, on scaring herself while writing

by Jocelyn Rish

We’re glad Hillary Monahan could swing by to share more about her latest novel MARY: UNLEASHED.

Hillary, what scene was really hard for you to write and why, and is that the one of which you are most proud? Or is there another scene you particularly love?

I can’t go too far into detail without giving something away, but there is a scene toward the end of the book where Dell is in her kitchen with Mary. It’s scary and gruesome and I love it because, when I was writing it, I was actually shuddering behind my desk. It takes a lot to get that reaction out of me. I’ve seen so many horror movies/read so many stories that to get me to jolt is a good thing.

How long did you work on MARY: UNLEASHED?

A year. I wrote it twice. My first effort was awful; my mother was in chemotherapy for breast cancer and I plowed on despite my head being elsewhere. When I finished the book, it was a choppy mess. It was so bad I wouldn’t show it to beta readers, my agent, or my ever-so-patient editor, Tracey. I pulled it off the table and, when my mother’s chemo ended and her prognosis improved, rewrote it into the book you see today. Each version took about six months a piece.

What’s your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?

I work in an office with pumpkin orange walls and a lot of creepy art. To my left is the Haunted Mansion collection from Disney. Behind me is a wall of trade paperback comic books, and to my right, a shelfing system specifically chosen for its capacity to hold my enormous makeup collection. (I have a makeup problem.) I sit in this room of Stuff, put on my headset, and most times I don’t listen to music unless I’m rereading/editing my work to make sure the mood is correct. Unfortunately, I tend to sing along with anything with lyrics and that’s distracting. Two basset hounds keep me company while I create monsters and . . . well, anything else that pops into my head, really.

ABOUT THE BOOK

Mary: Unleashed
by Hillary Monahan
Hardcover
Disney-Hyperion
Released 9/8/2015

Mary in the mirror.
Mary in the glass.
Mary in the water.

Mary lurks in the emptiness, in the darkness . . . in the reflection. That is, until Jess unleashes her into the world. Now Mary Worth is out and her haunting is deadlier than ever.

No one is safe.

Shauna, Kitty, and Jess must band together to unearth the truth about Mary’s death to put her soul to rest for good. Their search leads them back to where it all began–to Solomon’s Folly, a place as dangerous as the ghost who died there a century and a half ago. Quick sand, hidden traps, and a phantom fog are the least of their worries. To stop Mary, they need to follow a dark string of clues and piece together a gruesome mystery that spans generations.

But time is running out.

As chilling facts come to light, Mary inches ever closer to her prey. Can Jess, Shauna, and Kitty break Mary’s curse before it’s too late? Or will history repeat itself until there is no one left to call her name . . . ?

Purchase Mary: Unleashed at Amazon
Purchase Mary: Unleashed at IndieBound
View Mary: Unleashed on Goodreads

ABOUT THE AUTHOR

At night, when the lights are dim and the creepy crawlies scuttle through the shadows, debut author Hillary Monahan throws words at a computer. A denizen of Massachusetts and an avid gamer, she’s most often found locked in a dark room killing internet zombies or corralling basset hounds. Her first novel, MARY: THE SUMMONING debuted fall of 2014 thanks to Disney-Hyperion.

Have you had a chance to read MARY: UNLEASHED yet? Have you ever written anything that made you shudder? Doesn’t Hillary’s office seem like the perfect setting to write scary stuff?

Happy reading,

Jocelyn, Shelly, Martina, Erin, Lisa, Susan, Jen, Sam, Lindsey, Sandra, Kristin, and Anisaa

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Sep 12, 2015

Category: Imported from AYAP

Tags: YA Author Interviews

Welcome to Transmedia Mutts

Yellow origami dog on a teal background

Unleash your creative bark!

Shout out to AYAP!

Logo for Adventures in YA Publishing

Thank you to the women who started Adventures in YA Publishing and ran it for years. AYAP and TMM have merged to form Adventures in PUPlishing, and the legacy AYAP posts are now part of TMM. Click here to learn more about the earlier AYAP team.

Click to Join our Facebook Group

Share advice, practice pitching, celebrate successes, and support each other through writing and publishing adventures.

← Previous: The Writing Life by J.J. Howard + #Giveaway Next: Best of AYAP: Character →

The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

Dog holding a sign that says Pupdates!

Sign up for our newsletter for pupdates and publishing advice