In Which I Fangirl Over Wendy Higgins’ New Series and Wish Her a Happy Book Birthday

by Martina Boone

Happy Valentine’s Day, sweeties!!!!

It is probably no surprise to anyone that I adore Wendy Higgins, both because she is a lovely and enormously kind person, but also because she writes books that are so compulsively readable with incredible premises. I *sink* into a Wendy Higgins book from the very first page, and her new series is no different in that respect than her fabulous Great Hunt series or her deliciously sinful Sweet Evil series — except that it is. It’s New Adult and and not YA, it’s post-apocalyptic America, and it’s FANTASTIC.

The second book in the series is out today. Go. Give yourself a Valentine’s Day Present. Read. Enjoy. You won’t regret it! : )

Below are the blurbs for both books. Happy book birthday, Wendy!!!

UNKNOWN
Unknown Series Book One
by Wendy Higgins

In this first installment of NY Times bestselling author, Wendy Higgins’s debut New Adult series, a frighteningly realistic apocalyptic America is brought to life, entwined with searing romantic tension that will leave you eager for more. *** Amber Tate believes the worst thing she’ll suffer in life is dealing with the unrequited love she feels for her brother’s best friend, Rylen Fite. She also believes war is something unfortunate that happens places far, far away from her rural Nevada town. She’s wrong on both counts.

When an unknown organization meticulously bombs major cities in the United States and across the globe, a trickle-down effect spreads to remaining towns at an alarming speed—everything from food and water sources to technology and communications are compromised. Without leadership, the nation is split between paralysis and panic, but Amber isn’t one to hide or watch helplessly. She’s determined to put her nursing skills to use, despite the danger, even if it means working alongside the man she can never have.

Buy Now | Add to Goodreads

***

UNREST
Unknown Series Book Two
by Wendy Higgins

New York Times bestselling author Wendy Higgins brings you the second book in this thrilling apocalyptic world…

Being on the run in the desert means food and sanctuary are hard to come by, but Amber Tate and her crew are not about to give up. Not after having the things they love brutally ripped from them by an unknown enemy who sent their world into the apocalypse.

Survival takes precedence, but once safe shelter is found, their guards fall and the emotions they’ve been holding in are finally released. Anger, insecurities…lust. In their tight quarters, Amber, Rylen, Tater, and Remy can’t escape it. The past must be faced, and passions run even stronger in the darkest of times.

In the midst of unrest, their worlds are rocked again when they discover the truth about the war that’s ruined their lives. They thought finding out the enemy’s identity would give them the edge; instead it’s revealed terrifying dangers they never thought possible.

Buy Now | Add to Goodreads

Martina Boone

Martina Boone is the award-winning author of the romantic southern gothic Heirs of Watson Island series, starting with COMPULSION from Simon & Schuster, Simon Pulse and the Celtic Legends Collection of novels set in Scotland, Cornwall, and Ireland beginning with LAKE OF DESTINY. She’s passionate about improving lives through literacy and the love of books, and she runs the Compulsion For Reading program to distribute books to underserved schools and libraries.

She lives with her husband, children, Shetland Sheepdog Phinney, and Zoey the lopsided cat, and she enjoys writing contemporary romantic fiction with a hint of magic set in small towns and beautiful places. When she isn’t writing, she’s addicted to travel, horses, skiing, chocolate flavored tea, and anything with Nutella on it.

Post © Martina Boone and/or Adventures in YA Publishing. All rights reserved.

Posted: Feb 14, 2017

Category: Imported from AYAP

Tags: Martina Boone

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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