Jessica Verdi, author of AND SHE WAS, on a one-sentence email becoming a book

by Jocelyn Rish

We’re excited to have Jessica Verdi join us to share more about her latest novel, AND SHE WAS.

Jessica, how long did you work on AND SHE WAS?

It was nearly five years ago that my agent sent me a one-sentence email with the tiniest nugget of an idea for this story. 🙂 Since then, I’ve been hard at work researching, drafting, and revising, as well as getting invaluable input from several sensitivity readers. I’m so excited that the book is finally out in the world!

What’s your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?

I have a full-time job as a romance novel editor, so my writing time is primarily limited to Saturdays and Sundays. I work best in the morning, when my brain is most awake, so I start writing at around 8 or 9am and work until I get tired. I do listen to music while I’m writing, but not anything super high energy or with lyrics that I’d want to sing along to—too distracting! I always write at home—again, to avoid distractions!

What are you working on now?

My debut picture book, titled THE HAIRCUT and co-written with Rachel Lyons, will be published next year by FSG Books for Young Readers. It’s about a young transgender boy coming out to his parents. I’m also currently working on a new contemporary YA, and while I can’t say too much about it yet, I think it’s going to be a lot of fun.

ABOUT THE BOOK

And She Was
by Jessica Verdi
Hardcover
Scholastic Press
Released 3/27/2018

Dara’s lived a sheltered life with her single mom, Mellie. Now, at eighteen, she’s dreaming of more. When Dara digs up her never-before-seen birth certificate, her world implodes. Why are two strangers listed as her parents?

Dara confronts her mother, and is stunned by what she learns: Mellie is transgender. The unfamiliar name listed under “father”? That’s Mellie. She transitioned when Dara was a baby, after Dara’s birth mother died. She changed her name, started over.

But Dara still has more questions than answers. Reeling, she sets off on an impromptu road trip with her best guy friend, Sam, in tow. She is determined to find the extended family she’s never even met. What she does discover — and what her mother reveals, piece by piece, over emails — will challenge and change Dara more than she can imagine.

Purchase And She Was at Amazon
Purchase And She Was at IndieBound
View And She Was on Goodreads

ABOUT THE AUTHOR

Jessica Verdi is an author of young adult novels about identity, family, acceptance, and love.

Though she’s always been a bookworm (her childhood was basically defined by the philosophy that working your way through giant stacks of library books is far superior to playing outside), she remained convinced throughout high school and college that theatre and music were meant to be her creative outlets. After nearly ten years in the NYC theatre world, she got an idea for a novel. That novel was an adult magical realism story, and while it will never see the light of day—nope, don’t ask—it was the book that started her love affair with writing. Now she can’t imagine doing anything else.

Jess received her MFA in Writing for Children from The New School and is a Senior Editor at a “big five” romance novel publisher. She lives in Brooklyn, NY with her partner Paul and dogs Billie and Gloria.

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Have you had a chance to read AND SHE WAS yet? Do you work in the morning or at night? Have you gotten sensitivity readers for your work? Share your thoughts about the interview in the comments!

Happy Reading,

Jocelyn, Halli, Martina, Charlotte, Anisaa, Erin, Susan, Shelly, Kelly, Laura, Emily, and Lori Ann

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Mar 31, 2018

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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