Jeyn Roberts, author of THE BODIES WE WEAR, discusses characters with contradictions

by Adventures in YA Publishing

What is your favorite thing about THE BODIES WE WEAR?
Oooo, that’s a tough one. I couldn’t possibly pick a favorite. Not just one! I really like Faye’s personality. Her tough as nails attitude on the outside, and her caring and nurturing feelings on the inside. I also really enjoy her relationship with both Gazer and Beth.

What was your inspiration for writing this book?
After my father died, I was left with a lot of questions. And it seemed that I just couldn’t come up with any answers. At one point, I thought to myself ‘imagine if there was a way to find out?’ The idea kinda formed from there. With Bodies, I was able to explore a lot of different ideas concerning the afterlife and what happens once we die.

How long did you work on the book?
It took me about a year to write. I had to stop in the middle of it to finish Rage Within.

What’s your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?
I’m most definitely a coffee shop writer. I’m also a late night writer. I like to go out in the evening and work. Sometimes I listen to music, other times I listen to people around me.

What advice would you most like to pass along to other writers?
Keep writing. Write every day. Be open to criticism. As authors, we get very attached to our stories and often don’t see our simple mistakes. It helps to have other eyes looking over your work. Don’t be too hard on yourself. Believe.

What are you working on now?
I’m just starting edits on a ghost story that is coming out next fall.

ABOUT THE BOOK

The Bodies We Wear
by Jeyn Roberts
Hardcover
Knopf Books for Young Readers
Released 9/23/2014

A streetwise girl trains to take on a gang of drug dealers and avenge her best friend’s death in this thriller for fans of Scott Westerfeld and Robin Wasserman.

People say when you take Heam, your body momentarily dies and you catch a glimpse of heaven. Faye was only eleven when dealers forced Heam on her and her best friend, Christian. But Faye didn’t glimpse heaven—she saw hell. And Christian died.

Now Faye spends her days hiding her secret from the kids at school, and her nights training to take revenge on the men who destroyed her life and murdered her best friend. But life never goes the way we think it will. When a mysterious young man named Chael appears, Faye’s plan suddenly gets a lot more complicated. Chael seems to know everything about her, including her past. But too many secrets start tearing her world apart: trouble at school, with the police, and with the people she thought might be her friends. Even Gazer, her guardian, fears she’s become too obsessed with vengeance. Love and death. Will Faye overcome her desires, or will her quest for revenge consume her?

Purchase The Bodies We Wear at Amazon
Purchase The Bodies We Wear at IndieBound
View The Bodies We Wear on Goodreads

ABOUT THE AUTHOR

Jeyn Roberts (pronounced Jen – the Y is silent)grew up in Saskatoon, Saskatchewan, and started writing at an early age, having her first story published when she was 16 in a middle-grade anthology called LET ME TELL YOU.

When she was 21, she moved to Vancouver with dreams of being a rock star, graduating from the University of British Columbia with a degree in Writing and Psychology. For the next few years she played in an alternative/punk band called Missing Mile before moving to England where she received her MA from the prestigious Creative Writing graduate course at Bath Spa University. Jeyn is a former singer, songwriter, actress, bicycle courier and tree planter.

An avid traveler, she’s been around the world, most recently, teaching high school in South Korea.

A lover of animals, Jeyn volunteers regularly with helping abandoned and abused animals, especially cats.

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Posted: Sep 27, 2014

Category: Imported from AYAP

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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