Julia Keller, author of THE DARK INTERCEPT, on your ideas being your best friend

by Jocelyn Rish

Happy Halloween! On this spooky day, we’re thrilled to have Julia Keller with us to share more about her novel, THE DARK INTERCEPT.

Julia, what did this book teach you about writing or about yourself?

What a great question! I love the idea that books are for the people who write them as much as they’re for the people who read them. It’s really, really true. When you write a book, you make a new best friend: Your ideas. THE DARK INTERCEPT let me take some of my favorite ideas out for a spin.

How long or hard was your road to publication? How many books did you write before this one, and how many never got published?

I’ve been lucky in my writing life. I won a Pulitzer Prize for my work at the Chicago Tribune, and that made people interested in my stories. The hard part was having them understand that, while I was journalist and wrote about real things, I wanted to write fiction. Once I’d written THE DARK INTERCEPT, I was fortunate to be paired up with a great editor — Ali Fisher at Tor. She helped me re-think the shape of my story. And like all writers, or at least the ones I know, I have several unpublished manuscripts hanging out in my desk drawer. Someday, they may see the light of day . . .

What are you working on now?

Book Three in the THE DARK INTERCEPT trilogy, which I call MUSIC FROM A BROKEN STAR. I just finished Book Two, A SCREAMING IN THE MIND, which will be published in 2018. I hope readers are so engaged with the characters in Book One that they just can’t wait to read the rest of the story!

ABOUT THE BOOK

The Dark Intercept
by Julia Keller
Hardcover
Tor Teen
Released 10/31/2017

The State controls your emotions. What would you pay to feel free?

In a radiant world of endless summer, the Intercept keeps the peace. Violet Crowley, the sixteen-year-old daughter of New Earth’s Founding Father, has spent her life in comfort and safety. Her days are easy thanks to the Intercept, a crime-prevention device that monitors and provokes emotion.

But when her long-time crush, Danny Mayhew, gets into a dangerous altercation on Old Earth, Violet launches a secret investigation to find out what he’s hiding. An investigation that will lead her to question everything she’s ever known about Danny, her father, and the power of the Intercept.

Purchase The Dark Intercept at Amazon
Purchase The Dark Intercept at IndieBound
View The Dark Intercept on Goodreads

ABOUT THE AUTHOR

Julia was born and raised in Huntington, West Virginia. She graduated from Marshall University, then later earned a doctoral degree in English Literature at Ohio State University.

She was a Nieman Fellow at Harvard University and has taught at Princeton and Ohio State Universities, and the University of Notre Dame. She is a guest essayist on The NewsHour with Jim Lehrer on PBS and has been a contributor on CNN and NBC Nightly News. In 2005, she won the Pulitzer Prize for Feature Writing.

Julia lives in a high-rise in Chicago and a stone cottage on a lake in rural Ohio.

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Have you had a chance to read THE DARK INTERCEPT yet? Do you think books are both for the people who read them and for those who write them? Do you have unpublished manuscripts hanging out in a desk drawer? Share your thoughts about the interview in the comments!

Happy Reading,

Jocelyn, Anisaa, Erin, Martina, Charlotte, Erin, Susan, Shelly, Kelly, Laura, Emily, and Lori Ann

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Oct 31, 2017

Category: Imported from AYAP

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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