Jus Accardo, author of INFINITY, on every book being a different journey with its own challenges

by Jocelyn Rish

We’re excited to have Jus Accardo here to chat about her latest novel INFINITY.

Jus, how long did you work on INFINITY?

Infinity took longer for me to finish because my life kind of turned upside down. About a month after it sold, my mom was diagnosed with stage 4 cancer. The book was slated to come out in 2015, but was pushed back. I think I worked on Infinity for almost a year and a half? Maybe a little longer? It was written, in part, and fully edited during chemo treatments, hospital stays, and radiation appointments. When I finally wrapped it up, my mom (who is currently doing amazing!) and I celebrated with the biggest dish of garlic and cheese bread ever 😉

Was there an AHA! moment along your road to publication where something suddenly sank in and you felt you had the key to writing a novel? What was it?

I think I’ve had a ton of AHA moments 🙂 As for the key, I’m not sure there is one. Or, if there is, I haven’t found it. Every book is a different journey with its own challenges. Some are easy to draft and hard to edit. Some are the opposite. I think if there was one thing I’ve learned though, it’s that you can’t work with a blank page. Even if you think its coming out like crap, you just have to put the words on paper. They can be fixed later!

What’s your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?

I work at home (with 2 large dogs on either side of my desk and a never ending supply of coffee and cheese). I do listen to music, too. I have playlists for every book. Most of the time I have ones for each character, and even some scenes.

What advice would you most like to pass along to other writers?

Don’t make excuses and just do it. Life WILL get in the way. At one point or another, you WILL feel like you suck (you don’t, BTW) You just have to push past it. Writing is hard. There’s a lot of waiting, and a lot of rejection, and sometimes it can feel like you’re moving backwards. But it only takes one person–the right person–to fall in love with your book. To fall in love with your words. Trust me, its worth it 😉

What are you working on now?

Right now I’m working on the second book in the Infinity series, as well as a super secret project that I can’t wait to share!

ABOUT THE BOOK

Infinity
by Jus Accardo
Paperback
Entangled: Teen
Released 11/1/2016

Jump dimensions. Find the bad guy. Don’t fall in love.

Nobody said being the daughter of an army general was easy. But when her dad sends a teenage subordinate to babysit her while he’s away? That’s taking it a step too far.

Cade, as beautiful as he is deadly, watches Kori with more than just interest. He looks at her like he knows her very soul. And when he saves her from a seemingly random attack, well, that’s when things get weird.

Turns out, Kori’s dad isn’t just an army general—he’s the head of a secret government project that has invented a way to travel between parallel dimensions. Dimensions where there are infinite Koris, infinite Cades…and apparently, on every other Earth, they’re madly in love.

Falling for a soldier is the last thing on Kori’s mind. Especially when she finds herself in a deadly crossfire, and someone from another Earth is hell-bent on revenge…

Purchase Infinity at Amazon
Purchase Infinity at IndieBound
View Infinity on Goodreads

ABOUT THE AUTHOR

JUS ACCARDO spent her childhood reading and learning to cook. Determined to follow in her grandfather’s footsteps as a chef, she applied and was accepted to the Culinary Institute of America. But at the last minute, she realized her true path lay with fiction, not food.

Jus is the bestselling author of the popular Denazen series from Entangled publishing, as well as the Darker Agency series, and the New Adult series, The Eternal Balance. A native New Yorker, she lives in the middle of nowhere with her husband, three dogs, and sometimes guard bear, Oswald.

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Have you had a chance to read INFINITY yet? Do you put words on paper even if it feels like it’s coming out like crap? Do you push past the hard stuff and keep writing? Share your thoughts about the interview in the comments!

Happy reading,

Jocelyn, Shelly, Martina, Anisaa, Sam, Erin, Susan, Michelle, Laura, and Kristin

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Nov 5, 2016

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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