Kara Thomas, author of LITTLE MONSTERS, on her desk looking like a conspiracy board

by Jocelyn Rish

We are excited to have Kara Thomas join us to share more about her latest novel, LITTLE MONSTERS.

Kara, what was your inspiration for writing LITTLE MONSTERS?

I’ve always been fascinated by the complicated nature of friendships between teenage girls. In high school, I saw a lot of toxic relationships. I think it’s very easy to be manipulated when you want to be well-liked. That’s how I came up with the idea for a girl named Kacey, who is so lost and lonely that she falls into a friendship with two girls who aren’t what they appear. And since I’m a mystery writer, of course a murder and a disappearance are involved.

What book or books would most resonate with readers who love your book–or visa versa?

The thrillers that have most resonated with me are Sharp Objects by Gillian Flynn and Gone Baby Gone by Dennis Lehane. Both made me realize that I wanted to write mysteries with conflicted protagonists. I love how these books look at the messy dynamics of family, and present moral dilemmas for the main character and the reader. I think readers who enjoyed Little Monsters and The Darkest Corners would appreciate the two books I just mentioned. As for YA books, some mysteries that I love are Pointe by Brandy Colbert, Never Missing, Never Found by Amanda Panitch, and Dangerous Girls by Abigail Haas.

What’s your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?

I work at home in my office, and I write every day. Some days are much more productive than others— if I’m stuck on a plot point I have to spend time outlining. I joke that my desk looks sort of like the conspiracy board in Homeland. I have a bunch of different colored gel pens that I use to write down and connect clues, characters, and plot twists.

ABOUT THE BOOK

Little Monsters
by Kara Thomas
Hardcover
Delacorte Press
Released 7/25/2017

For fans of Pretty Little Liars, Little Monsters is a new psychological thriller, from the author of The Darkest Corners, about appearances versus reality and the power of manipulation amongst teenage girls.

Kacey is the new girl in Broken Falls. When she moved in with her father, she stepped into a brand-new life. A life with a stepbrother, a stepmother, and strangest of all, an adoring younger half sister.

Kacey’s new life is eerily charming compared with the wild highs and lows of the old one she lived with her volatile mother. And everyone is so nice in Broken Falls—she’s even been welcomed into a tight new circle of friends. Bailey and Jade invite her to do everything with them.

Which is why it’s so odd when they start acting distant. And when they don’t invite her to the biggest party of the year, it doesn’t exactly feel like an accident.

But Kacey will never be able to ask, because Bailey never makes it home from that party. Suddenly, Broken Falls doesn’t seem so welcoming after all—especially once everyone starts looking to the new girl for answers.

Kacey is about to learn some very important lessons: Sometimes appearances can be deceiving. Sometimes when you’re the new girl, you shouldn’t trust anyone.

Purchase Little Monsters at Amazon
Purchase Little Monsters at IndieBound
View Little Monsters on Goodreads

ABOUT THE AUTHOR

Kara is the author of the critically acclaimed THE DARKEST CORNERS. Her new book, LITTLE MONSTERS, is coming July 25th from Random House/Delacorte. She’s written for everything from her high school newspaper to Warner Brothers Television. You can find her on Long Island, bingeing on true crime podcasts and TV shows.

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Have you had a chance to read LITTLE MONSTERS yet? Do you think mystery/thrillers involving high school girl relationships are even more complicated than others? How do you keep track of all the different aspects of your mystery novel? Share your thoughts about the interview in the comments!

Happy reading,

Emily, Jocelyn, Anisaa, Sam, Martina, Erin, Susan, Shelly, Kelly, Laura, and Lori Ann

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Jul 29, 2017

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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