Kate Evangelista, author of THE BOYFRIEND BRACKET, on the the pleasures of writing on an inclined pillow

by Jocelyn Rish

We’re happy to have Kate Evangelista here to tell us more about her latest novel, THE BOYFRIEND BRACKET.

Kate, what was your inspiration for writing THE BOYFRIEND BRACKET?

Almost immediately, I knew I wanted to infuse TBB with my Filipino roots. This is why Stella is half-Filipino. I grew up in a culture where having an older brother means that you have to deal with his protectiveness. I’m that way with my younger brother. It’s an older sibling imperative, I think, to be protective. The thing is, in TBB, Camron definitely takes it to a whole new level with Stella.

What do you hope readers will take away from THE BOYFRIEND BRACKET?

That, at the end of the day, family is important, but we shouldn’t let them keep us from expressing our love for someone. Stella and Will kept their relationship secret to spare Camron from getting hurt. I often wonder what would have happened if they had been honest from the very beginning. But, then again, there wouldn’t be a book. *laughs*

What’s your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?

My writing ritual changes depending on the book I’m working on. For TBB, I discovered the pleasures of an inclined pillow and a darkened room. It was so calming. I could really immerse myself in the story. I would probably use the same ritual for my next book.

ABOUT THE BOOK

The Boyfriend Bracket
by Kate Evangelista
Hardcover
Swoon Reads
Released 6/19/2018

Stella has had a hopeless crush on Will, her older brother’s best friend FOREVER, but now that Cam and Will have graduated and are going off to college, this year is her chance to really strike out on her own. Without her overprotective brother and his sidekick around to distract her, she can focus on having all the typical high school experiences that she’s always dreamed of―starting with finding a boyfriend! With the help of her best friend, Franklin, she comes up with the perfect plan to have a boyfriend by Christmas: The Boyfriend Bracket.

Or it seems like the perfect plan . . . right up until Will starts showing up again. How is she supposed to find the perfect boyfriend when none of her dates measure up to the one boy she can never have?

Purchase The Boyfriend Bracket at Amazon
Purchase The Boyfriend Bracket at IndieBound
View The Boyfriend Bracket on Goodreads

ABOUT THE AUTHOR

When Kate Evangelista, author of No Love Allowed and No Holding Back, was told she had a knack for writing stories, she did the next best thing: entered medical school. After realizing she wasn’t going to be the next Doogie Howser, M.D., Kate wandered into the Literature department and never looked back. Today, she is a graduate of De La Salle University – Manila with a Bachelor of Arts in Literature. She taught high school English for three years and was an essay consultant for two. Currently, she writes full-time and is based in the Philippines.

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Have you had a chance to read THE BOYFRIEND BRACKET yet? Do you infuse your novels with your cultural roots? What techniques do you have for immersing yourself in your story? Share your thoughts about the interview in the comments!

Happy Reading,

Jocelyn, Halli, Martina, Charlotte, Anisaa, Erin, Susan, Shelly, Kelly, Laura, Emily, and Lori Ann

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Jun 19, 2018

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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