Laurie Forest, author of THE IRON FLOWER, on letting go

by Jocelyn Rish

THE IRON FLOWER is the second book in the The Black Witch Chronicles, and we’re happy to have Laurie Forest swing by to share more about it.

Laurie, what was your inspiration for writing THE IRON FLOWER?

The fight for civil unions here in Vermont (which was the spearhead to the fight for marriage equality nationwide). I got involved in the pro civil-union/pro marriage equality side and hatred I never knew existed came out of the woodwork. It was frightening and got me thinking about prejudice of all types. Around that time I was getting into fantasy fiction, because my kids were urging me to read it. The idea for a story with anti-prejudice themes lit inside of me and refused to let go.

What did this book teach you about writing or about yourself?

To just let go and throw my heart and soul into it. To completely let go of my pride and be open to multiple sensitivity readers, no matter how harsh the criticism. To open myself up to learning from others how to be better and how to write better.

What do you hope readers will take away from THE IRON FLOWER?

That belief systems, whether political or religious, that target entire groups of people as “evil” or “other” are dangerous. And that diversity and tolerance are their own type of magic.

ABOUT THE BOOK

The Iron Flower
by Laurie Forest
Hardcover
Harlequin Teen
Released 9/18/2018

Elloren Gardner and her friends were only seeking to right a few wrongs when they rescued a Selkie and freed a military dragon. The last thing they expected was to be thrust into a realm-wide underground resistance against Gardnerian conquest.

While the Resistance struggles to fight back against the harsh rulings of the Mage Council, more and more Gardnerian soldiers descend upon the University…led by none other than Lukas Grey, now commander of the nearby military base. Though Elloren tries to keep him at arm’s length, Lukas is determined to tie himself to her, still convinced that she is the heir to the power of the Black Witch, a legacy of magic that will decide the future of all Erthia. As his own magic calls out to her, seeking to awaken a dark force within, Elloren finds it more and more difficult to believe that she’s truly powerless, as her uncle always claimed.

Caught between her growing feelings for the rebellious Yvan Guriel and the seductive power offered by Lukas, Elloren must find a way to stay true to what she knows is right and protect everyone she loves…even if that means protecting them from herself.

Purchase The Iron Flower at Amazon
Purchase The Iron Flower at IndieBound
View The Iron Flower on Goodreads

ABOUT THE AUTHOR

Laurie Forest lives deep in the backwoods of Vermont where she sits in front of a wood stove drinking strong tea and dreaming up tales full of dryads, dragons and wands. The Black Witch (Book 1.0, The Black Witch Chronicles – OUT NOW) & Wandfasted (Book 0.5, The Black Witch Chronicles Prequel) are her first published novels. Coming in 2018 are Light Mage (Book 1.5, The Black Witch Chronicles) & The Iron Flower (Book 2.0, The Black Witch Chronicles). She is currently ensconced in the woods, hard at work on The Shadow Dryad (Book 3.0, The Black Witch Chronicles).

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Have you had a chance to read THE IRON FLOWER yet? Do you throw your heart and soul into your writing? Are you open to learning from others? Share your thoughts about the interview in the comments!

Happy Reading,

Jocelyn, Halli, Martina, Erin, Susan, Shelly, Kelly, Laura, Emily, and Lori Ann

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Sep 19, 2018

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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