Marie Marquardt, author of FLIGHT SEASON: A NOVEL, on diving back into grief

by Jocelyn Rish

We’re thrilled to have Marie Marquardt with us to share more about her latest novel, FLIGHT SEASON.

Marie, what was your inspiration for writing FLIGHT SEASON?

This story was inspired by my own experiences at two very different times in my life. A couple of weeks before I graduated from high school, I found out that my dad was terminally ill, and he died during my first year of college. I share this in common with Vivi, the story’s protagonist. As an adult, I have spent many years working with undocumented immigrant teens. The other key elements of the storyline draw from my time with them, and from my enormous respect for the immigrant teens I’ve had the honor of knowing.

What scene was really hard for you to write and why, and is that the one of which you are most proud? Or is there another scene you particularly love?

Every scene that made me dive back into my grief was an enormous challenge. But I also was amazed by how raw and present that grief – from decades ago! – continues to be when I allow myself to feel it.

What did this book teach you about writing or about yourself?

I learned not to be afraid of my own intense emotions. They can be a powerful tool for writing, and writing them can be a powerful tool for healing.

What do you hope readers will take away from FLIGHT SEASON?

The power of empathy to change our world.

What advice would you most like to pass along to other writers?

Take heart. Be bold. Never let fear get in the way.

ABOUT THE BOOK

Flight Season: A Novel
by Marie Marquardt
Hardcover
Wednesday Books
Released 2/20/2018

Back when they were still strangers, TJ Carvalho witnessed the only moment in Vivi Flannigan’s life when she lost control entirely. Now, TJ can’t seem to erase that moment from his mind, no matter how hard he tries. Vivi doesn’t remember any of it, but she’s determined to leave it far behind. And she will.

But when Vivi returns home from her first year away at college, her big plans and TJ’s ambition to become a nurse land them both on the heart ward of a university hospital, facing them with a long and painful summer together – three months of glorified babysitting for Ángel, the problem patient on the hall. Sure, Ángel may be suffering from a life-threatening heart infection, but that doesn’t make him any less of a pain.

As it turns out, though, Ángel Solís has a thing or two to teach them about all those big plans, and the incredible moments when love gets in their way.

Written in alternating first person from the perspectives of all three characters, Flight Season is a story about discovering what’s really worth holding onto, learning how to let go of the rest, and that one crazy summer that changes your life forever.

Purchase Flight Season: A Novel at Amazon
Purchase Flight Season: A Novel at IndieBound
View Flight Season: A Novel on Goodreads

ABOUT THE AUTHOR

Dr. Marie Marquardt is a Scholar-in-Residence at Emory University’s Candler School of Theology and has been an advocate for social justice for Latin American immigrants in the South for two decades. She is the author of three critically acclaimed novels for young adults—Dream Things True, The Radius of Us, and Flight Season. Her novels reflect the experiences of undocumented immigrant teenagers and are inspired by her experiences working with detainees and their families as chair of the Georgia non-profit El Refugio.

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Have you had a chance to read FLIGHT SEASON: A NOVEL yet? Are intense emotions a powerful tool in your writing? Have writing intense emotions helped you heal? Share your thoughts about the interview in the comments!

Happy Reading,

Jocelyn, Halli, Martina, Anisaa, Charlotte, Erin, Susan, Shelly, Kelly, Laura, Emily, and Lori Ann

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Feb 21, 2018

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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