Mary Hooper, author of POPPY, on the timelessness of feelings and emotions

by Jocelyn Rish

We’re excited to have Mary Hooper join us to share more about her latest novel POPPY, which won the Historical Association’s award for best historical fiction for young adults.

Mary, what was your inspiration for writing POPPY?

Simply because World War I was a period of history I hadn’t yet tackled, and its Centenary was coming up.

What scene was really hard for you to write?

Any scene where a casualty had some ghastly injury that Poppy had to tend to.

How long did you work on POPPY?

I did about six months of research and planning, and another six months of actual writing (which sometimes just consisted of looking at a blank screen and sighing a lot). When I’d finished writing POPPY, I began research for POPPY IN THE FIELD, in which Poppy goes to work at a hospital in France and makes friends with two American Red Cross nurses.

What do you hope readers will take away from POPPY?

The knowledge that times and circumstances may change, but feelings and emotions don’t.

How long or hard was your road to publication?

I was lucky enough to get into writing teen fiction way back in the days when there were hardly any teen books out there.

How many of your books never got published?

None! I’ve managed to find homes for all of them.

ABOUT THE BOOK

Poppy
by Mary Hooper
Hardcover
Bloomsbury USA Childrens
Released 8/30/2016

Set against the backdrop of World War I, this romantic novel is equal parts sweeping and heartbreaking.

England, 1914. Poppy is 15, beautiful, and clever, but society has already carved out her destiny. She will become a servant to the aristocratic de Vere family . . . and bury her feelings for their youngest son, Freddie. He could never marry a girl like her.

But the path for Poppy’s life changes when it becomes clear that the war isn’t going to end soon. England needs every able bodied person to serve in battle, which, for Poppy, means volunteering on the front lines as a Voluntary Aid Detachment nurse. As she experiences what people are capable of–the best of humanity and the worst–Poppy will discover how to be her own person.

This sweeping drama vividly blends swoon-worthy romance with the story of a girl looking for her place in a war-torn world is perfect fans of Elizabeth Wein and Ruta Sepetys.

Purchase Poppy at Amazon
Purchase Poppy at IndieBound
View Poppy on Goodreads

ABOUT THE AUTHOR

Mary Hooper is a very popular writer for children and young adults. Her brilliant historical novels have a huge fan base, as do her contemporary novels for teenagers. At The Sign of the Sugared Plum was selected as part of the 2010 Booked Up scheme and Fallen Grace has been nominated for the Carnegie Medal 2011. Mary lives in Henley-on-Thames.

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Have you had a chance to read POPPY yet? Do you find it difficult to write scenes with horrible injuries? How much time do you spend researching your books? Share your thoughts about the interview in the comments!

Happy reading,

Jocelyn, Shelly, Martina, Anisaa, Sam, Erin, Susan, Michelle, Laura, and Kristin

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Sep 3, 2016

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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