Maureen Lipinski and Rhea Spencer from Cleopatra Ascending

by Jan Lewis

I’m only fifteen, but you’d better believe that I have a bucket list. Freaky things happen all the time in my family and I definitely do not want to be turned into a pigeon or a statue by one of my sister’s wayward spells before I accomplish all my goals.

So, I present: Rhea Spencer’s Bucket List:

1. Manifest a useful power. This being-the-reincarnation-of-Cleopatra thing is kind of boring so far. I mean, I like sand and sphinxes and all but compared to my sisters’ powers, reading hieroglyphics isn’t exactly a blow-your-hair-back talent.

2. Get my parents to stop treating my boyfriend Slade like he’s an ex-con. (Apparently, being a Creatuir is worse than being a criminal. As if that can even be measured.)

3. Travel to Egypt. Hey, maybe the pyramids will recognize me.

4. Experience a day where my sisters don’t irritate me.

5. Stop the freaky dreams about ancient Egypt. Get back to the good ones, like the time I was driving a red convertible and wearing leather pants.

There you go! My fingers are crossed that I get to experience all of these things, although I realize #4 is fairly unlikely.

About the Book

“The queen lives again. You, Rhea, are the key to unlocking the magical artifacts in Cleopatra’s tomb.”

Despite living with a shaman, a witch, and a muse for sisters, Rhea Spencer feels like a normal teenager-even if she is the reincarnation of Cleopatra. But all that changes on Rhea’s sixteenth birthday, when her visions of the Egyptian queen start unraveling a very different version of history, and Declan, a hot representative of the secret Order of Antony, shows up on the doorstep to keep her from being kidnapped. Together, Rhea and Declan travel to Egypt to stop the Octavians, a dark cabal trying to tap into Rhea’s growing powers. The cabal seeks to access the magic deep below the desert sands, a potentially devastating force that only Rhea can protect.

Buy Cleopatra Ascending on Amazon
Find Cleopatra Ascending on Goodreads

About the Author

Maureen K. Lipinski, a graduate of Miami University (in Ohio, not Florida), resides in the Chicago suburbs with her husband and two children. She is the author of YA novels Shadow’s Edge and Cleopatra Ascending, in addition to two adult novels.

Maureen’s Website
Follow Maureen on Twitter

Jan Lewis

Jan Lewis writes YA fantasy of the contemporary and traditional varieties. She lives in Oklahoma with a husband, two kids, two cats, a dog, and a mother. Instead of unpublished, she prefers to call herself pre-published. While she enjoys drafting, her heart is truly in rewriting and editing. She loves ladybugs, fairies, blue roses, cats, musical theater, and pretty much all things geek.

Post © Jan Lewis and/or Adventures in YA Publishing. All rights reserved.

Posted: Apr 11, 2013

Category: Imported from AYAP

Tags: Character Bucket List

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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