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New Releases this week 09/02 – 09/09

by Shelly Zev

Happy Monday! We’re so excited to be featuring some new releases this week! Make sure to read all about them below.

Happy Reading,

Shelly, Sam, Martina, Erin, Susan, Kelly, Laura, Emily, Anisaa, and Lori Ann

YOUNG ADULT NOVELS NEW IN STORES THIS WEEK

* * * *

Five Dark Fates
by Kendare Blake
Hardcover
HarperTeen
Released 9/3/2019

After the grim confrontation with Queen Katharine, the rebellion lies in tatters. Jules’s legion curse has been unbound, and it is up to Arsinoe to find a cure, even as the responsibility of stopping the ravaging mist lies heavy on her shoulders, and her shoulders alone. Mirabella has disappeared.

Katharine’s reign remains intact—for now. When Mirabella arrives, seemingly under a banner of truce, Katharine begins to yearn for the closeness that Mirabella and Arsinoe share. But as the two circle each other, the dead queens hiss caution—Mirabella is not to be trusted.

In this conclusion to the Three Dark Crowns series, three sisters will rise to fight as the secrets of Fennbirn’s history are laid bare. Allegiances will shift. Bonds will be tested. But the fate of the island lies in the hands of its queens. It always has.

Purchase Five Dark Fates at Amazon
Purchase Five Dark Fates at IndieBound
View Five Dark Fates on Goodreads

* * * *

Have a Little Faith in Me
by Sonia Hartl
Hardcover
Page Street Kids
Released 9/3/2019

When CeCe’s born-again ex-boyfriend dumps her after they have sex, she follows him to Jesus camp in order to win him back. Problem: She knows nothing about Jesus. But her best friend Paul does. He accompanies CeCe to camp, and the plan―God’s or CeCe’s―goes immediately awry when her ex shows up with a new girlfriend, a True Believer at that.

Scrambling to save face, CeCe ropes Paul into faking a relationship. But as deceptions stack up, she questions whether her ex is really the nice guy he seemed. And what about her strange new feelings for Paul―is this love, lust, or an illusion born of heartbreak? To figure it out, she’ll have to confront the reasons she chased her ex to camp in the first place, including the truth about the night she lost her virginity.

Purchase Have a Little Faith in Me at Amazon
Purchase Have a Little Faith in Me at IndieBound
View Have a Little Faith in Me on Goodreads

* * * *

Sword and Pen
by Rachel Caine
Hardcover
Berkley
Released 9/3/2019

The corrupt leadership of the Great Library has fallen. But with the Archivist plotting his return to power, and the Library under siege from outside empires and kingdoms, its future is uncertain. Jess Brightwell and his friends must come together as never before, to forge a new future for the Great Library…or see everything it stood for crumble.

Purchase Sword and Pen at Amazon
Purchase Sword and Pen at IndieBound
View Sword and Pen on Goodreads

* * * *

We Speak in Storms
by Natalie Lund
Hardcover
Philomel Books
Released 9/3/2019

It’s been more than 50 years since a tornado tore through a drive-in movie theater in tiny Mercer, Illinois, leaving dozens of teens — a whole generation of Mercerites — dead in its wake. So when another tornado touches down in the exact same spot on the anniversary of this small-town tragedy, the town is shaken. For Brenna Ortiz, Joshua Calloway, and Callie Keller, the apprehension is more than just a feeling. Though they seem to share nothing more than a struggle to belong, the teens’ paths continue to intersect, bringing them together when they least expect it, and perhaps, when they need it most. Both the living and the dead have secrets and unresolved problems, but they may be able to find peace and move forward–if only they work together.

A beautifully told, haunting yet hopeful novel about pushing past the pain, facing the world, and finding yourself.

Purchase We Speak in Storms at Amazon
Purchase We Speak in Storms at IndieBound
View We Speak in Storms on Goodreads

Shelly Zev

Shelly is a Toronto-based book professional versed in editing, the publication industry, and the library sector where they currently work part-time as a public-facing librarian.

Shelly reads and blabbers on the internet about books, their expertise being in professional editing as well as library services for children and teens. They occasionally write.

Post © Shelly Zev and/or Adventures in YA Publishing. All rights reserved.
Posted: Sep 2, 2019
Category: Imported from AYAP
Tags: New Releases

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p> <p>Your main character needs to be:<br /> • Relatable enough for kids to see themselves<br /> • Unique enough to stand out in the slush pile<br /> • Active enough to drive the story<br /> • Memorable enough to survive multiple readings at bedtime</p> <p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />
The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p> <p>But your theme needs to be:<br /> • Subtle enough not to trigger the dreaded "didactic" rejection<br /> • Clear enough for a four-year-old to grasp<br /> • Universal enough to speak to both kids and adults<br /> • Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p> <p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />
The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p> <p>In general, your plot should:<br /> • Hook readers fast<br /> • Build tension that a child can follow<br /> • Create page turns that feel natural<br /> • Wrap up in a way that satisfies</p> <p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.
The Arms of your story are the side characters.
The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p> <p>Your setting should:<br /> • Make your character's world feel real<br /> • Contain your story in a way that makes sense to young readers<br /> • Connect different scenes and moments organically<br /> • Give your illustrator enough room to add visual subplots</p> <p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black. 

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