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New Releases This Week 12/7 – 12/13

by Jocelyn Rish

Publishing is starting to wind down for the year, so there are only two new releases this week. Therefore it only makes sense to immediately add them both to your TBR list! 

Happy Reading,

Jocelyn, Halli, Martina, and Elizabeth

YOUNG ADULT NOVELS NEW IN STORES NEXT WEEK

A Universe of Wishes : A We Need Diverse Books Anthology

by Dhonielle Clayton

Hardcover

Crown Books for Young Readers

Released 12/8/2020

From We Need Diverse Books, the organization behind Flying Lessons & Other Stories, comes a young adult fantasy short story collection featuring some of the best own-voices children’s authors, including New York Times bestselling authors Libba Bray (The Diviners), V. E. Schwab (A Darker Shade of Magic), Natalie C. Parker (Seafire), and many more. Edited by Dhonielle Clayton (The Belles).

In the fourth collaboration with We Need Diverse Books, fifteen award-winning and celebrated diverse authors deliver stories about a princess without need of a prince, a monster long misunderstood, memories that vanish with a spell, and voices that refuse to stay silent in the face of injustice. This powerful and inclusive collection contains a universe of wishes for a braver and more beautiful world.

AUTHORS INCLUDE: Samira Ahmed, Jenni Balch, Libba Bray, Dhonielle Clayton, Zoraida Córdova, Tessa Gratton, Kwame Mbalia, Anna-Marie McLemore, Tochi Onyebuchi, Mark Oshiro, Natalie C. Parker, Rebecca Roanhorse, V. E. Schwab, Tara Sim, Nic Stone

Purchase A Universe of Wishes : A We Need Diverse Books Anthology at Amazon

Purchase A Universe of Wishes : A We Need Diverse Books Anthology at IndieBound

View A Universe of Wishes : A We Need Diverse Books Anthology on Goodreads

* * * *

Escaping Eleven

by Jerri Chisholm

Hardcover

Entangled: Teen

Released 12/8/2020

In Compound Eleven, the hierarchy of the floors is everything.

My name is Eve Hamilton, and on my floor, we fight.

Which at least is better than the bottom floor, where they toil away in misery. Only the top floor has any ease in this harsh world; they rule from their gilded offices.

Because four generations ago, Earth was rendered uninhabitable―the sun too hot, the land too barren. Those who remained were forced underground. While not a perfect life down here, I’ve learned to survive as a fighter.

Except my latest match is different. Instead of someone from the circuit, my opponent is a mysterious boy from the top floor. And the look in his eyes tells me he’s different…maybe even kind.

Right before he kicks my ass.

Still, there’s something about him―something that says he could be my salvation…or my undoing. Because I’m no longer content to just survive in Eleven. Today, I’m ready to fight for more than my next meal: I’m fighting for my freedom. And this boy may just be the edge I’ve been waiting on.

Purchase Escaping Eleven at Amazon

Purchase Escaping Eleven at IndieBound

View Escaping Eleven on Goodreads

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.
Posted: Dec 7, 2020
Category: Imported from AYAP
Tags: New Releases

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p> <p>Your main character needs to be:<br /> • Relatable enough for kids to see themselves<br /> • Unique enough to stand out in the slush pile<br /> • Active enough to drive the story<br /> • Memorable enough to survive multiple readings at bedtime</p> <p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />
The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p> <p>But your theme needs to be:<br /> • Subtle enough not to trigger the dreaded "didactic" rejection<br /> • Clear enough for a four-year-old to grasp<br /> • Universal enough to speak to both kids and adults<br /> • Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p> <p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />
The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p> <p>In general, your plot should:<br /> • Hook readers fast<br /> • Build tension that a child can follow<br /> • Create page turns that feel natural<br /> • Wrap up in a way that satisfies</p> <p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.
The Arms of your story are the side characters.
The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p> <p>Your setting should:<br /> • Make your character's world feel real<br /> • Contain your story in a way that makes sense to young readers<br /> • Connect different scenes and moments organically<br /> • Give your illustrator enough room to add visual subplots</p> <p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black. 

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