Nicole McInnes, author of 100 DAYS, on working on multiple projects at once

by Jocelyn Rish

We’re delighted to have Nicole McInnes join us to share more about her latest novel 100 DAYS.

Nicole, what do you hope readers will take away from 100 DAYS?

I hope readers will take away a sense of how important it is to hold on to the people who are there for us in life when we’re at our worst as well as when we’re at our best. And even though it can take a lot of courage to reconnect with once-valuable friends we’ve lost touch with due to misunderstanding or some other reason, doing so can be life-changing, and maybe even life-saving. Time passes so quickly, and I’m a firm believer in connecting with and cherishing good people above all else.

What’s your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?

While I consider my local libraries and book stores to be second homes in so many ways, I find it almost impossible to write in public places. I much prefer to cocoon inside my downtown office or at my dining room table at home. The same goes for music; while I’m not writing, I’m a total audiophile. But when it’s time to put words to page, silence is definitely golden. Of course, I always have a cup of coffee and (hopefully) some dark chocolate close at hand.

What are you working on now?

I’m currently working on another contemporary YA novel as well as an adult literary novel. Both are still in the draft stage, but I enjoy having multiple projects in development at once. That way, if I get bored with one, I can skip on over to the other for a while.

ABOUT THE BOOK

100 Days
by Nicole McInnes
Hardcover
Farrar, Straus and Giroux
Released 8/23/2016

Agnes doesn’t know it, but she only has one hundred days left to live. When she was just a baby, she was diagnosed with Progeria, a rare disease that causes her body to age at roughly ten times the normal rate. Now nearly sixteen years old, Agnes has already exceeded her life expectancy.

Moira has been Agnes’s best friend and protector since they were in elementary school. Due to her disorder, Agnes is still physically small, but Moira is big. Too big for her own liking. So big that people call her names. With her goth makeup and all-black clothes, Moira acts like she doesn’t care. But she does.

Boone was friends with both girls in the past, but that was a long time ago—before he did the thing that turned Agnes and Moira against him, before his dad died, before his mom got too sad to leave the house.

An unexpected event brings Agnes and Moira back together with Boone, but when romantic feelings start to develop, the trio’s friendship is put to the test.

Purchase 100 Days at Amazon
Purchase 100 Days at IndieBound
View 100 Days on Goodreads

ABOUT THE AUTHOR

Nicole McInnes is the author of the contemporary young adult novels 100 DAYS (FSG/Macmillan, 2016) and BRIANNA ON THE BRINK (Holiday House, 2013).

A book and chocolate-obsessed mother of two, she teaches for Lindenwood University’s Creative Writing MFA program while dividing her time between the San Francisco Bay Area and the mountains of northern Arizona.

Nicole has spoken as a panelist and faculty member at events such as the ALA Annual Conference in Chicago, the Tucson Book Festival, The Las Vegas Writer’s Conference and the Vegas Valley Book Festival. A member of The Class of 2K13 author group, she is represented by Stacey Glick of DGLM. Visit her on the web at www.NicoleMcInnes.com.

—

Have you had a chance to read 100 DAYS yet? Do you need a silent cocoon to write in? Do you work on multiple projects at once? Share your thoughts about the interview in the comments!

Happy reading,

Jocelyn, Shelly, Martina, Anisaa, Sam, Erin, Susan, Michelle, Laura, and Kristin

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Aug 27, 2016

Category: Imported from AYAP

Tags: YA Author Interviews

Welcome to Transmedia Mutts

Yellow origami dog on a teal background

Unleash your creative bark!

Shout out to AYAP!

Logo for Adventures in YA Publishing

Thank you to the women who started Adventures in YA Publishing and ran it for years. AYAP and TMM have merged to form Adventures in PUPlishing, and the legacy AYAP posts are now part of TMM. Click here to learn more about the earlier AYAP team.

Click to Join our Facebook Group

Share advice, practice pitching, celebrate successes, and support each other through writing and publishing adventures.

← Previous: Joshua David Bellin, author of SCAVENGER OF SOULS, on focusing on what you can control Next: Martina Boone, author of PERSUASION, on taking time to be kind to yourself →

The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

Dog holding a sign that says Pupdates!

Sign up for our newsletter for pupdates and publishing advice