Romina Russell, author of WANDERING STAR, on letting your inner light burn even brighter

by Jocelyn Rish

WANDERING STAR is the second book in the Zodiac series, and we’re excited to have Romina Russell here to tell us more about it.

Romina, what do you hope readers will take away from WANDERING STAR?

If ZODIAC dealt mostly with universe-building, WANDERING STAR is all about character. My biggest hope for readers who pick up this book is that they’re reminded that even people who think differently than they do deserve to be heard. And above all, I hope they enjoy themselves!

How long or hard was your road to publication? How many books did you write before this one, and how many never got published?

My road to publication felt endless, but in technical terms, it took ten years. ZODIAC was my first published novel, and even before I started writing it, I’d already completed five full-length manuscripts, including one that I re-wrote entirely at least four times—and I’m actually working on a fifth iteration of that very story now! Apparently, I don’t give up on characters easily…not even when they’re driving me CRAZY.

What advice would you most like to pass along to other writers?

Trust Yourself. No one else can tell you what your story is—your teachers can’t, your parents can’t, your friends can’t, your editor can’t, your favorite book can’t, and I can’t—because only you know the stories you carry in your heart. If you give up on them, no one else will ever hear them. So take a page from Rho, and when your world goes black, let your inner light burn even brighter.

ABOUT THE BOOK

Wandering Star
by Romina Russell
Hardcover
Razorbill
Released 12/8/2015

Orphaned, disgraced, and stripped of her title, Rho is ready to live life quietly, as an aid worker in the Cancrian refugee camp on House Capricorn.

But news has spread that the Marad–an unbalanced terrorist group determined to overturn harmony in the Galaxy–could strike any House at any moment.

Then, unwelcome nightmare that he is, Ochus appears to Rho, bearing a cryptic message that leaves her with no choice but to fight.

Now Rho must embark on a high-stakes journey through an all-new set of Houses, where she discovers that there’s much more to her Galaxy–and to herself–than she could have ever imagined.

Purchase Wandering Star at Amazon
Purchase Wandering Star at IndieBound
View Wandering Star on Goodreads

ABOUT THE AUTHOR

Romina Russell (aka Romina Garber) is a Los Angeles based author who originally hails from Buenos Aires, Argentina. As a teen, Romina landed her first writing gig—College She Wrote, a weekly Sunday column for the Miami Herald that was later picked up for national syndication—and she hasn’t stopped writing since. When she’s not working on ZODIAC, Romina can be found producing movie trailers, taking photographs, or daydreaming about buying a new drum set. She is a graduate of Harvard College and a Virgo to the core.

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Have you had a chance to read WANDERING STAR yet? How many times have you completely rewritten a story you believe in? Have you learned to trust yourself when writing?

Happy reading,

Jocelyn, Shelly, Martina, Erin, Lisa, Susan, Sam, Lindsey, Sandra, Kristin, and Anisaa

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Dec 12, 2015

Category: Imported from AYAP

Tags: YA Author Interviews

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← Previous: Mila Gray, author of COME BACK TO ME, on writing something with lots of heartbreak Next: Best of AYAP: Engaging the Reader →

The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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