Roshani Chokshi, author of THE STAR-TOUCHED QUEEN, on narratives from different cultures

by Jocelyn Rish

We’re thrilled to have Roshani Chokshi join us to share more about her novel THE STAR-TOUCHED QUEEN.

Roshani, what was your inspiration for writing THE STAR-TOUCHED QUEEN?

My family. I grew up in a mixed-race home and was raised on tales of vicious and beautiful maidens. Rakshasis who had the face of seraphs, but hid long fangs behind those perfect lips. Manannangals who appeared beautiful, but thirsted for blood. Princesses who were ruthless and cunning. Tales of the Underworld where the Kingdom of The Dead was little more than a crossroads on the way to your next life. I wanted to explore stories where people like me were the protagonists. I love retelling tales because everyone is familiar with the bones of a story, but how you build upon those foundations makes all the difference.

What book or books would most resonate with readers who love your book–or visa versa?

I think people who enjoyed TSTQ would enjoy Martine Leavitt’s KETURAH AND LORD DEATH, Rosamund Hodge’s CRUEL BEAUTY, or Laini Taylor’s DAUGHTER OF SMOKE AND BONE.

How long did you work on THE STAR-TOUCHED QUEEN?

I worked on it not too seriously from 2012-2013, and then very seriously from October 2013-April 2014. I was working in a freezing tax law office as an assistant (read: Reluctant Devotee of Capricious Scanner) and should have been studying for the LSAT but inspiration for TSTQ kept conveniently striking…

What do you hope readers will take away from THE STAR-TOUCHED QUEEN?

I hope TSTQ inspires readers to seek out narratives from different cultures. I hope they take away a little enchantment. Or maybe the lingering flavor of fairy fruit. I hope their dreams are a little star-touched.

ABOUT THE BOOK

The Star-Touched Queen
by Roshani Chokshi
Hardcover
St. Martin’s Griffin
Released 4/26/2016

Cursed with a horoscope that promises a marriage of Death and Destruction, sixteen-year-old Maya has only earned the scorn and fear of her father’s kingdom. Content to follow more scholarly pursuits, her world is upheaved when her father, the Raja, arranges a wedding of political convenience to quell outside rebellions. But when her wedding takes a fatal turn, Maya becomes the queen of Akaran and wife of Amar. Yet neither roles are what she expected. As Akaran’s queen, she finds her voice and power. As Amar’s wife, she finds friendship and warmth.

But Akaran has its own secrets – thousands of locked doors, gardens of glass, and a tree that bears memories instead of fruit. Beneath Akaran’s magic, Maya begins to suspect her life is in danger. When she ignores Amar’s plea for patience, her discoveries put more than new love at risk – it threatens the balance of all realms, human and Otherworldly.

Now, Maya must confront a secret that spans reincarnated lives and fight her way through the dangerous underbelly of the Otherworld if she wants to protect the people she loves.

The Star-Touched Queen is a lush, beautifully written and vividly imagined fantasy inspired by Indian mythology.

Purchase The Star-Touched Queen at Amazon
Purchase The Star-Touched Queen at IndieBound
View The Star-Touched Queen on Goodreads

ABOUT THE AUTHOR

Roshani Chokshi comes from a small town in Georgia where she collected a Southern accent, but does not use it unless under duress. She grew up in a blue house with a perpetually napping bear-dog. At Emory University, she dabbled with journalism, attended some classes in pajamas, forgot to buy winter boots and majored in 14th century British literature. She spent a year after graduation working and traveling and writing. After that, she started law school at the University of Georgia where she’s learning a new kind of storytelling. The Star-Touched Queen is her first novel.

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Have you had a chance to read THE STAR-TOUCHED QUEEN yet? Does inspiration usually strike when you should be doing something else? Are your dreams a little star-touched? Share your thoughts about the interview in the comments!

Happy reading,

Jocelyn, Shelly, Martina, Anisaa, Sam, Erin, Susan, Lindsey, Sarah, and Kristin

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Apr 30, 2016

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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