Sherry Thomas, author of THE PERILOUS SEA, on running with no memory.

by Adventures in YA Publishing

What was your inspiration for writing this book?

I’ve always wanted the middle book of the Elemental trilogy to have a sort of The Bourne Identity feel, i.e., protagonist with no memory, not sure why he is being chased, except that I want it to be the girl who is being chased.

What are you working on now?

Book 3 of the Elemental trilogy, for which I am going for a Return of the King vibe–but probably only in my head.

ABOUT THE BOOK

The Perilous Sea
by Sherry Thomas
Hardcover
Balzer + Bray
Released 9/16/2014

From acclaimed author Sherry Thomas comes the striking sequel to The Burning Sky, book two in the Elemental Trilogy, for fans of Cinda Williams Chima, Rae Carson, and Kristin Cashore.

After spending the summer away from each other, Titus and Iolanthe (still disguised as Archer Fairfax) are eager to return to Eton College to resume their training to fight the Bane. Although no longer bound to Titus by a blood oath, Iolanthe is more committed than ever to fulfilling her destiny—especially with the agents of Atlantis quickly closing in.

Soon after arriving at school, though, Titus makes a shocking discovery, one that makes him question everything he previously believed about their mission. Faced with this devastating realization, Iolanthe is forced to come to terms with her new role, while Titus must choose between following his mother’s prophecies—and forging a divergent path to an unknowable future.

Sherry Thomas brings her trademark blend of dazzling magic, heartbreaking romance, and exciting action in this striking sequel to The Burning Sky.

Purchase The Perilous Sea at Amazon
Purchase The Perilous Sea at IndieBound
View The Perilous Sea on Goodreads

ABOUT THE AUTHOR

Sherry Thomas writes both historical romance and young adult fantasy.

On the romance side, she is one of the most acclaimed authors working in the genre today, her books regularly receiving starred reviews and best-of-the-year honors from trade publications. She is also a two-time winner of Romance Writers of America’s prestigious RITA® Award.

On the young adult fantasy side, there isn’t much to say yet, as her debut book is not scheduled for publication until September 2013.

Sherry writes in her second language. She learned English by reading lots of romance and science fiction–every word Isaac Asimov ever wrote, in fact. She is proud to say that her son is her biggest fanboy–for the YA fantasy, not the romances. At least, not yet…

“Sherry Thomas is the most powerfully original historical romance author writing today.”—Lisa Kleypas, New York Times bestselling author

“Thomas weaves a lush, intricate fantasy world around a gorgeous romance that kept me riveted until the very last page. What a breathtaking journey!” (Marie Lu, New York Times bestselling author of the Legend series )

Visit Sherry at her website

Adventures in YA Publishing

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Posted: Sep 20, 2014

Category: Imported from AYAP

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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