Sophie Jordan, author of RISE OF FIRE, on her deepest, darkest fantasies

by Jocelyn Rish

RISE OF FIRE is the sequel to Reign of Shadows, and we’re excited to have Sophie Jordan here to chat with us.

Sophie, what was your inspiration for writing RISE OF FIRE?

The idea for both REIGN OF SHADOWS and RISE OF FIRE is a result of my love for the following things: WALKING DEAD, TANGLED, the RIDDICK series and GAME OF THRONES. Yes. That’s a lot of things seemingly unconnected except for my love of them. At first it seemed silly to consider them as inspiration for my next project until I asked myself “why not”? Why can’t I take the elements that I loved in all of those things and create something uniquely my own? So that’s what I did.

How long did you work on RISE OF FIRE?

Altogether… probably a combined five months.

What advice would you most like to pass along to other writers?

Write to your ID. That essentially means to always channel and write to your deepest, most darkest core fantasies. You know when you were a kid or even a teenager and you used to daydream stuff? Write that kind of stuff. If you do that your writing will be visceral and more powerful and you will write like a speed-demon because you’re addicted to your stories as much (hopefully) as your readers will be.

What are you working on now?

Right now I’m working on an adult contemporary romance (due in April). Following that, I will be starting my next young adult novel.

ABOUT THE BOOK

Rise of Fire
by Sophie Jordan
Hardcover
HarperTeen
Released 2/7/2017

The richly suspenseful sequel to Sophie Jordan’s romantic fantasy Reign of Shadows.

Luna and Fowler have escaped the kingdom of Relhok, but they haven’t escaped the darkness. When a battle against the dark dwellers mortally injures Fowler, Luna is faced with a choice: put their fate in the hands of mysterious strangers or risk losing Fowler forever.

Desperate to keep the one bright part of her life alive, Luna accepts the help of soldiers from a nearby kingdom. Lagonia’s castle offers reprieve from the dangerous outside world—until the king discovers both Fowler’s and Luna’s true ties to Relhok and their influence over the throne.

Now pawns in each kingdom’s political game, Luna and Fowler are more determined than ever to escape and build the life they’ve been dreaming of. But their own pasts have a tight hold on their hearts and their destinies. Luna must embrace the darkness and fire within her before she loses not only Fowler, but the power she was destined to inherit.

Purchase Rise of Fire at Amazon
Purchase Rise of Fire at IndieBound
View Rise of Fire on Goodreads

ABOUT THE AUTHOR

Sophie Jordan grew up in the Texas hill country where she wove fantasies of dragons, warriors, and princesses. A former high school English teacher, she’s also the New York Times and USA Today bestselling author of Avon historical romances. She now lives in Houston with her family. When she’s not writing, she spends her time overloading on caffeine (lattes and Diet cherry Coke preferred), talking plotlines with anyone who will listen (including her kids), and cramming her DVR with true-crime and reality-TV shows. Sophie also writes paranormal romances under the name Sharie Kohler.

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Have you had a chance to read RISE OF FIRE yet? Have you ever considered mixing a Disney story with the The Walking Dead or Game of Thrones? What are some of your favorite crossover ideas? What sort of things did you daydream of as a teenager? Share your thoughts about the interview in the comments!

Happy Reading,

Emily, Jocelyn, Anissa, Sam, Martina, Erin, Susan, Shelly, Kelly, Laura, and Lori Ann

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Feb 10, 2017

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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