Black and white spaniel sitting
Young Husky sitting
Cocker Spaniel sittting
Hound dog sitting
Jack Russel sitting
Husky laying down
Gray Pitbull sitting
German Shepard sitting
Golden Retriever sitting
Big, fuzzing brown puppy sitting

Stacey Jay, author of PRINCESS OF THORNS, on getting into her character’s heads and writing High Fantasy

by Alyssa Hamilton
What scene was really hard for you to write and why, and is that the one of which you are most proud? Or is there another scene you particularly love? 

 The scene after one of the character’s curses takes effect was difficult to write. I try to put myself in my characters’ heads and hearts as much as possible so when they are suffering and sad, I am too. I am proud of that scene, but I also love the chase scene at the end of the book. I love a big, romantic ending. 



 What did this book teach you about writing or about yourself?

  This was my first time writing high fantasy and I loved it. I became so attached to the characters and this world and would love to write more books set in this universe. 


 What’s your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?

 Since moving to Hawaii last year I work in my office in the garage. The former owner used the space as a gun storage facility and also made his own bullets. So there are bars on the windows and the doors to protect the weapons that used to be stored inside. I call it writer jail. I have a desk in there as well as a treadmill desk. I’m writing mostly romance for adults right now, so I don’t listen to music. I only listen to music when I’m writing fantasy or paranormal stories and trying to tap in to that more “mystical” dreamy area in my brain meats.



 What advice would you most like to pass along to other writers?

 Don’t give up and don’t give in. Keep writing and loving your work and giving it everything you’ve got. I’ve been four different pen names in this business and now I’m on to another one after Stacey Jay. As long as you’re willing to evolve and grow and work hard, you’ll have a good shot at making it as a professional writer.



ABOUT THE BOOK

Princess of Thorns by Stacey Jay Hardcover
Delacorte Press
Released 12/9/2014

 Game of Thrones meets the Grimm’s fairy tales in this twisted, fast-paced romantic fantasy-adventure about Sleeping Beauty’s daughter, a warrior princess who must fight to reclaim her throne. Though she looks like a mere mortal, Princess Aurora is a fairy blessed with enhanced strength, bravery, and mercy yet cursed to destroy the free will of any male who kisses her. Disguised as a boy, she enlists the help of the handsome but also cursed Prince Niklaas to fight legions of evil and free her brother from the ogre queen who stole Aurora’s throne ten years ago. Will Aurora triumph over evil and reach her brother before it’s too late? Can Aurora and Niklaas break the curses that will otherwise forever keep them from finding their one true love?

Purchase Princess of Thorns at Amazon
Purchase Princess of Thorns at IndieBound
View Princess of Thorns on Goodreads

ABOUT THE BOOK

Stacey Jay is a recovering workaholic (or at least working hard at recovering) with three pen names, two small children, and a passion for playing pretend for a living. She’s been a full time mom-writer since 2005 and can’t think of anything she’d rather be doing. Her former careers include theatre performer, professional dancer, poorly paid C-movie actress, bartender, waiter, math tutor (for real) and yoga instructor.

Alyssa Hamilton

Blogger and SFU English/Publishing grad + Publishing hopeful. Lover of all things fiction-historical, literary, romantic.

Post © Alyssa Hamilton and/or Adventures in YA Publishing. All rights reserved.
Posted: Dec 10, 2014
Category: Imported from AYAP
Tags: YA Author Interviews

Welcome to Transmedia Mutts

Yellow origami dog on a teal background

Unleash your creative bark!

Shout out to AYAP!

Logo for Adventures in YA Publishing

Thank you to the women who started Adventures in YA Publishing and ran it for years. AYAP and TMM have merged to form Adventures in PUPlishing, and the legacy AYAP posts are now part of TMM. Click here to learn more about the earlier AYAP team.

 

Click to Join our Facebook Group

Share advice, practice pitching, celebrate successes, and support each other through writing and publishing adventures.

The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p> <p>Your main character needs to be:<br /> • Relatable enough for kids to see themselves<br /> • Unique enough to stand out in the slush pile<br /> • Active enough to drive the story<br /> • Memorable enough to survive multiple readings at bedtime</p> <p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />
The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p> <p>But your theme needs to be:<br /> • Subtle enough not to trigger the dreaded "didactic" rejection<br /> • Clear enough for a four-year-old to grasp<br /> • Universal enough to speak to both kids and adults<br /> • Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p> <p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />
The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p> <p>In general, your plot should:<br /> • Hook readers fast<br /> • Build tension that a child can follow<br /> • Create page turns that feel natural<br /> • Wrap up in a way that satisfies</p> <p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.
The Arms of your story are the side characters.
The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p> <p>Your setting should:<br /> • Make your character's world feel real<br /> • Contain your story in a way that makes sense to young readers<br /> • Connect different scenes and moments organically<br /> • Give your illustrator enough room to add visual subplots</p> <p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black. 

Use of this site constitutes an agreement to our Terms & Conditions and Privacy Policy.

AFFILIATE LINK DISCLAIMER: This site contains affiliate links, images, and ads to purchase various products. As an Amazon Associate, and a member of other affiliate programs, this site earns a commission from qualifying purchases if you click on one of these links, images, or ads.

© 2025 Transmedia Mutts, LLC. All Rights Reserved.