Tricia Levenseller, author of DAUGHTER OF THE PIRATE KING, on no longer trying to please others

by Jocelyn Rish

We are ecstatic to sit down with Tricia Levenseller and hear more about her debut novel DAUGHTER OF THE PIRATE KING.

Tricia, what was your inspiration for writing DAUGHTER OF THE PIRATE KING?

Pirates of the Caribbean. Hands down. I just love how the movie combines fantastical elements with pirates. This is something I’d never seen before, and I was blown away. I knew I wanted to do something similar, but with an entirely different premise, a female pirate lead, and way more romance!

How long did you work on DAUGHTER OF THE PIRATE KING?

About 4 months, I think. It was my NaNoWriMo project in 2013.

How long or hard was your road to publication? How many books did you write before this one, and how many never got published?

DAUGHTER OF THE PIRATE KING is the fourth book I wrote. My first book got me an agent, but we didn’t have any takers when we went on submission. My second book went out on submission and also didn’t have any takers. Then, my agent just flat out didn’t like my third book. So then I wrote DAUGHTER OF THE PIRATE KING. I sent it to my agent, who also didn’t like that book. Finally, I decided it was time to find new representation. I landed with my current agent and DotPK found a home with Feiwel and Friends!

What advice would you most like to pass along to other writers?

Never forget to always keep the writing fun. You do your best work when you’re enjoying what you do and not trying to please others. Sitting down and finishing a novel is important, of course, but sometimes it’s also important to make sure you’re getting what you need to out of your writing.

ABOUT THE BOOK

Daughter of the Pirate King
by Tricia Levenseller
Hardcover
Feiwel & Friends
Released 2/28/2017

A 17-year-old pirate captain intentionally allows herself to get captured by enemy pirates in this thrilling YA adventure.

If you want something done right . . .

When the ruthless pirate king learns of a legendary treasure map hidden on an enemy ship, his daughter, Alosa, knows there’s only one pirate for the job—herself. Leaving behind her beloved ship and crew, Alosa deliberately facilitates her own kidnapping to ensure her passage on the ship, confident in her ability to overcome any obstacle. After all, who’s going to suspect a seventeen-year-old girl locked in a cell?

Then she meets the (surprisingly perceptive and unfairly attractive) first mate, Riden, who is charged with finding out all her secrets. Now it’s down to a battle of wits and will . . . . Can Alosa find the map and escape before Riden figures out her plan?

Debut author Tricia Levenseller blends action, adventure, romance, and a little bit of magic into a thrilling YA pirate tale.

Purchase Daughter of the Pirate King at Amazon
Purchase Daughter of the Pirate King at IndieBound
View Daughter of the Pirate King on Goodreads

ABOUT THE AUTHOR

Initially from a small town in Oregon, Tricia now lives next to the Rocky Mountains with her bossy dog, Rosy. She received her degree in English Language and editing and is thrilled that she never has to read a textbook again. When she’s not writing or reading, Tricia enjoys putting together jigsaw puzzles, playing volleyball, and watching shows while eating extra-buttered popcorn.

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Have you had a chance to read DAUGHTER OF THE PIRATE KING yet? Have you participated in NaNoWriMo? What did you write? Do you feel like you are trying to please others? Tell us what you learned and how you made writing fun again like Tricia. Share your thoughts about the interview in the comments!

Happy reading,

Emily, Jocelyn, Anisaa, Sam, Martina, Erin, Susan, Shelly, Kelly, Laura, and Lori Ann

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Mar 4, 2017

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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