Victoria Scott, author of SALT & STONE, on knowing your character’s objective

by Jocelyn Rish

What was your inspiration for writing SALT & STONE?

The Pandoras were my inspiration for this sequel. I wanted to give them ample opportunity to show just how able they are in assisting their Contenders. Until now, it’s mostly been the Contenders who were challenged. In SALT & STONE, the Pandoras have to step up in a big way.

What advice would you most like to pass along to other writers?

Know what your character’s objective is, and make it crystal clear to readers within the first 30 pages. Keep that objective consistent, and remind readers of the goal a handful of times during the book. This keeps readers turning pages to find out whether the character ultimately succeeds.

What are you working on now?

I’m working on a stand-alone YA thriller called TITANS. It’s about a teen girl who rides a steel, mechanical horse in a Detroit derby to win prize money to save her family’s home, and keep her best friend close. The races take place at midnight in the woods, and are attended by rowdy men who place bets on the robotic horses. TITANS releases spring 2016 from Scholastic.

ABOUT THE BOOK

Salt & Stone
by Victoria Scott
Hardcover
Scholastic Press
Released 2/24/2015

What would you do to save someone you love?

In Fire & Flood, Tella Holloway faced a dangerous trek through the jungle and across the desert, all to remain a Contender in the Brimstone Bleed for a chance at obtaining the Cure for her brother. She can’t quit–she has to win the race, save Cody, and then fight to make sure the race stops before it can claim any more lives. In the next legs of the race, across the ocean and over mountains, Tella will face frostbite, sharks, avalanche, and twisted new rules in the race.

But what if the danger is deeper than that? How do you know who to trust when everyone’s keeping secrets? What do you do when the person you’d relied on most suddenly isn’t there for support? How do you weigh one life against another?

The race is coming to an end, and Tella is running out of time, resources, and strength. At the start of the race there were one hundred twenty-two Contenders. As Tella and her remaining friends start the final part of the race, just forty-one are left–and only one can win.

Purchase Salt & Stone at Amazon
Purchase Salt & Stone at IndieBound
View Salt & Stone on Goodreads

ABOUT THE AUTHOR

Victoria Scott is a teen fiction writer represented by Sara Crowe of the Harvey-Klinger Literary Agency. She’s the author of the FIRE & FLOOD series published by Scholastic, and the DANTE WALKER trilogy published by Entangled Teen. Her first stand-alone young adult title, TITANS, will be published by Scholastic in spring 2016.

Victoria’s books have been bought and translated in eleven foreign markets including the UK, Turkey, China, Poland, Israel, Germany, Australia, Brazil, Taiwan, New Zealand, and the Netherlands. She currently lives in Dallas, and hearts cotton candy something fierce.

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Feb 28, 2015

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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