Victoria Scott, author of TITANS, on being inspired by a commercial

by Jocelyn Rish

We’re excited to have Victoria Scott with us to talk about her latest novel TITANS.

Victoria, what was your inspiration for writing TITANS?

A commercial, actually. It was this one by Acura. I saw it while watching a football game, and nearly flew from the couch to my office to call my agent.

How long did you work on TITANS?

This book took me a little longer than my previous titles. Maybe that’s because I had to pause to have a baby halfway through. From first sentence to turning it into my editor, I believe it took six months. Not too bad now that I think about it.

What do you hope readers will take away from TITANS?

I hope they’ll see themselves in Astrid Sullivan, and I hope they’ll explore the themes I’ve included: trust, friendship, and gambling on yourself.

What are you working on now?

I’m editing two books, both which release in 2017. The first, Violet Grenade, will be published by Entangled Teen that summer, and a second book will be published by Scholastic, and is yet to be announced.

ABOUT THE BOOK

Titans
by Victoria Scott
Hardcover
Scholastic Press
Released 2/23/2016

Ever since the Titans first appeared in her Detroit neighborhood, Astrid Sullivan’s world has revolved around the mechanical horses. She and her best friend have spent countless hours watching them and their jockeys practice on the track. It’s not just the thrill of the race. It’s the engineering of the horses and the way they’re programmed to seem so lifelike. The Titans are everything that fascinates Astrid, and nothing she’ll ever touch.

She hates them a little, too. Her dad lost everything betting on the Titans. And the races are a reminder of the gap between the rich jockeys who can afford the expensive machines to ride, and the working class friends and neighbors of Astrid’s who wager on them.

But when Astrid’s offered a chance to enter an early model Titan in this year’s derby, well, she decides to risk it all. Because for a girl from the wrong side of the tracks, it’s more than a chance at fame or money. Betting on herself is the only way she can see to hang on to everyone in the world she cares about.

Purchase Titans at Amazon
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ABOUT THE AUTHOR

Victoria Scott is the author of TITANS, FIRE & FLOOD, SALT & STONE, HEAR THE WOLVES (2017), and VIOLET GRENADE (2017). She is published by Scholastic and Entangled Teen, and is represented by Sara Crowe. Her latest novel, TITANS, has received two starred reviews, and FIRE & FLOOD was nominated as a YALSA Teens’ Top 10 book of 2015. Victoria’s novels have been translated into eight foreign languages. The author lives in Dallas, and loves hearing from readers.
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Have you had a chance to read TITANS yet? Has a commercial inspired an idea for your novel? Are you impressed it only took Victoria six months to turn in the book since she had a baby during that time? Share your thoughts about the interview in the comments!

Happy reading,

Jocelyn, Shelly, Martina, Erin, Susan, Sam, Lindsey, Sarah, Sandra, Kristin, and Anisaa

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Feb 27, 2016

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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