Whitney Gardner, author of YOU’RE WELCOME, UNIVERSE, on emailing herself her first page

by Jocelyn Rish

We are delighted to be able to chat with Whitney Gardner about her debut novel YOU’RE WELCOME, UNIVERSE.

Whitney, how long or hard was your road to publication? How many books did you write before this one, and how many never got published?

I remember starting this book by sending the first page to myself in an email. I was away from my computer and I needed to get it down as soon as possible. I went through my inbox and found that I started YOU’RE WELCOME, UNIVERSE in 2013. I had written two graphic novels prior, but neither ended up finding a home.

What’s your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?

Well, it all starts with coffee. I have a little office in my house, with a rainbow carpet and pet bed for my lazy pug. I do most of my work from there. But I can’t write with music on; it’s too distracting. I used to only be able to work in silence, but I’ve upgraded to nature sounds.

What advice would you most like to pass along to other writers?

I never thought I would be a writer. I always imagined myself on the illustration end of things. And when I started testing the writing waters, I wasn’t good at it. But there’s only one way to get better: keep writing. Get critique partners and listen to them. Read widely. Editing is your best friend. Don’t quit.

ABOUT THE BOOK

You’re Welcome, Universe
by Whitney Gardner
Hardcover
Knopf Books for Young Readers
Released 3/7/2017

A vibrant, edgy, fresh new YA voice for fans of More Happy Than Not and Simon vs. the Homo Sapiens Agenda, packed with interior graffiti.

When Julia finds a slur about her best friend scrawled across the back of the Kingston School for the Deaf, she covers it up with a beautiful (albeit illegal) graffiti mural.

Her supposed best friend snitches, the principal expels her, and her two mothers set Julia up with a one-way ticket to a “mainstream” school in the suburbs, where she’s treated like an outcast as the only deaf student. The last thing she has left is her art, and not even Banksy himself could convince her to give that up.

Out in the ’burbs, Julia paints anywhere she can, eager to claim some turf of her own. But Julia soon learns that she might not be the only vandal in town. Someone is adding to her tags, making them better, showing off—and showing Julia up in the process. She expected her art might get painted over by cops. But she never imagined getting dragged into a full-blown graffiti war.

Told with wit and grit by debut author Whitney Gardner, who also provides gorgeous interior illustrations of Julia’s graffiti tags, You’re Welcome, Universe introduces audiences to a one-of-a-kind protagonist who is unabashedly herself no matter what life throws in her way.

Purchase You’re Welcome, Universe at Amazon
Purchase You’re Welcome, Universe at IndieBound
View You’re Welcome, Universe on Goodreads

ABOUT THE AUTHOR

Whitney Gardner is an author, illustrator, and coffee addict. Originally from New York, she studied design and worked as an art teacher and school librarian before moving to Portland, Oregon, where she lives by a bridge with her husband and two pugs. In the rare moment Whitney isn’t writing or drawing, she’s likely to be reading comics, knitting, and tending her garden or apiary. YOU’RE WELCOME, UNIVERSE, her debut novel, has been selected as an American Booksellers Association Indies Introduce Pick. Visit her at heywhitney.com.

—

Have you had a chance to read YOU’RE WELCOME, UNIVERSE yet? Are you new to thinking you’ll be a writer? Take Whitney’s advice and try it and get critiques, such as entering our 1st 5 Pages monthly workshops! Share your thoughts about the interview in the comments!

Happy reading,

Emily, Jocelyn, Anisaa, Sam, Martina, Erin,
Susan, Shelly, Kelly, Laura, and Lori Ann

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Mar 11, 2017

Category: Imported from AYAP

Tags: YA Author Interviews

Welcome to Transmedia Mutts

Yellow origami dog on a teal background

Unleash your creative bark!

Shout out to AYAP!

Logo for Adventures in YA Publishing

Thank you to the women who started Adventures in YA Publishing and ran it for years. AYAP and TMM have merged to form Adventures in PUPlishing, and the legacy AYAP posts are now part of TMM. Click here to learn more about the earlier AYAP team.

Click to Join our Facebook Group

Share advice, practice pitching, celebrate successes, and support each other through writing and publishing adventures.

← Previous: Emma Chastain, author of CONFESSIONS OF A HIGH SCHOOL DISASTER, on working twenty minutes a day Next: YA Sunday Morning News: This Week for Writers 3/12/17 →

The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

Dog holding a sign that says Pupdates!

Sign up for our newsletter for pupdates and publishing advice