Wish I'd Written Kat Zhang

by Adventures in YA Publishing

Wish I’d Written by Kat Zhang (Author of The Hybrid Chronicles)

I’m usually struck by the “I wish I’d written” feels for one of two reasons: One, the mere idea behind a story is so cool that I don’t even need to read the book itself to think “Wow, I wish I’d thought of that!”; Two, the book itself is so good I wish I’d written it because I kinda wish I were that good.

EVERY DAY by David Levithan falls into the first camp. In fact, I still haven’t actually read the book because I think I’m still somewhat in a funk that I didn’t get to write about the idea first 😉 No worries, I’ve heard it’s amazing and will definitely get around to it soon. But really, the idea of a person who wakes up in a new person’s body each day? Sounds like a horrifically difficult story to write, but also one that would be so amazing to be able to pull off. I was incredibly intrigued from the first time I heard it.

Recently, I read PERFECT RUIN, and that falls into camp number 2. I’m a fan of Lauren DeStefano’s Chemical Garden Trilogy, but PERFECT RUIN was even better, in my opinion. There was such an airy, but confident feel in everything from the story structure, to the character building, to the writing itself. The sentences made me want to crawl inside them and live there. Plus, it’s set on a floating island in the air, and the characters dress like it’s the early 1900s. Maybe it’s just me, but I love the fashion from the early 1900s. Forget the medieval dress with its poof and brocade—I love the long, elegant skirts and the perfect hair. It was a lot of fun to imagine everyone running around in period-esque dress, and it added another layer to the world of Internment.

About The Author

Kat spent most of her childhood tramping through a world weaved from her favorite stories and games. When she and her best friend weren’t riding magic horses or talking to trees, they were writing adaptations of plays for their stuffed animals (what would The Wizard of Oz have been like if the Cowardly Lion were replaced by a Loquacious Lamb?). This may or may not explain many of Kat’s quirks today.

By the age of twelve, Kat had started her first novel and begun plans for her life as a Real Live Author (she was rather more confident at twelve than she is even now). Said plans didn’t come into fruition until seven years later, when her agent sold her trilogy, The Hybrid Chronicles, to HarperCollins. The first book, WHAT’S LEFT OF ME–about a girl with two souls–was released September 18, 2012. Book 2 in the series, ONCE WE WERE, was released September 17, 2013.

She also performs as a Spoken Word poet and contributes to Pub(lishing) Crawl, a site for aspiring writers to talk about books, storytelling craft, and the publishing process. Kat has also had the pleasure of remote interning for a literary agent, specializing in Young Adult fiction.

When she is not exploring the world of her characters, she is exploring her own. To date, she’s had the pleasure of visiting five countries, including more than half of the United States. She hopes to always keep writing and traveling.

Website | Twitter | Goodreads

About The Book

“I’m lucky just to be alive.”

Eva was never supposed to have survived this long. As the recessive soul, she should have faded away years ago. Instead, she lingers in the body she shares with her sister soul, Addie. When the government discovered the truth, they tried to “cure” the girls, but Eva and Addie escaped before the doctors could strip Eva’s soul away.

Now fugitives, Eva and Addie find shelter with a group of hybrids who run an underground resistance. Surrounded by others like them, the girls learn how to temporarily disappear to give each soul some much-needed privacy. Eva is thrilled at the chance to be alone with Ryan, the boy she’s falling for, but troubled by the growing chasm between her and Addie. Despite clashes over their shared body, both girls are eager to join the rebellion.

Yet as they are drawn deeper into the escalating violence, they start to wonder: How far are they willing to go to fight for hybrid freedom? Faced with uncertainty and incredible danger, their answers may tear them apart forever.

Amazon | IndieBound | Goodreads

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Posted: Oct 17, 2013

Category: Imported from AYAP

Tags: What I Wish I Had Written

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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