Amanda K. Morgan, author of SECRETS, LIES, AND SCANDALS, on spending time on outlines

by Jocelyn Rish

We’re excited to have Amanda K. Morgan join us to chat about her novel SECRETS, LIES, AND SCANDALS.

Amanda, what was your inspiration for writing SECRETS, LIES, AND SCANDALS?

I remember sitting in Mrs. Lanka’s class in sixth grade, reading Lois Duncan novels, and talking about them with my friends. I think of SLS as a kind of Lois Duncan throwback.

How long did you work on SECRETS, LIES, AND SCANDALS?

Actually, I wrote this book really quickly…in about two months! I generally spend more time writing outlines than I do writing the actual book. I outline almost every scene before I actually start working on the novel, and then I spend time REVISING the outline and moving my scenes around, and then finally I dive in. I always have scenes that pop in and surprise me while I am working on the book, but generally my work is very planned. If you asked me when I started outlining, well, that would add a significant amount of time to my writing. 🙂

What’s your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?

My writing ritual changes often! I recently moved to a place with a balcony, so if the weather is nice I sit outside. I don’t really like music when I write, but I do like the TV on.

What are you working on now?

My book three with Simon Pulse, which is SUCH A GOOD GIRL. It’s a thriller about one of those straight-A, perfect girls who seems to have everything together…until she gets a little too close to her French teacher and things start to unravel. I just got to see the cover, and I’m absolutely thrilled with it! It’s gorgeous and I am so excited to share it! It’ll be out in 2017!

ABOUT THE BOOK

Secrets, Lies, and Scandals
by Amanda K. Morgan
Hardcover
Simon Pulse
Released 7/5/2016

In the tradition of I Know What You Did Last Summer and How to Get Away with Murder, five teens must overcome their paranoia in order to keep their teacher’s death a secret in this fast-paced suspense thriller.

Nothing ruins summer vacation like a secret…especially when it involves a dead teacher.

Ivy used to be on top of the social ladder, until her ex made that all go away. She has a chance to be Queen Bee again, but only if the rest of the group can keep quiet.

Tyler has always been a bad boy, but lately he’s been running low on second chances. There’s no way he’s going to lose everything because someone couldn’t keep their mouth shut.

Kinley wouldn’t describe herself as perfect, though everyone else would. But perfection comes at a price, and there is nothing she wouldn’t do to keep her perfect record—one that doesn’t include murder charges.

Mattie is only in town for the summer. He wasn’t looking to make friends, and he definitely wasn’t looking to be involved in a murder. He’s also not looking to be riddled with guilt for the rest of his life…but to prevent that he’ll have to turn them all in.

Cade couldn’t care less about the body, or about the pact to keep the secret. The only way to be innocent is for someone else to be found guilty. Now he just has to decide who that someone will be.

With the police hot on the case, they don’t have much time to figure out how to trust each other. But in order to take the lead, you have to be first in line … and that’s the quickest way to get stabbed in the back.

Purchase Secrets, Lies, and Scandals at Amazon
Purchase Secrets, Lies, and Scandals at IndieBound
View Secrets, Lies, and Scandals on Goodreads

ABOUT THE AUTHOR

Amanda K. Morgan is a freelance writer living in Nashville, TN. She covers events and works as a technical writer when she isn’t working on her YA novels.

At age 15, Amanda finished her first novel and continued to write in college, where she graduated Magna Cum Laude with a degree in English and an emphasis in Creative Writing.

Amanda is an avid volleyball player and spends time playing both indoors and out. When Amanda isn’t writing, she enjoys being entirely too busy and trying new things. Endeavors as of late include appearances in music videos, TV, and movies, rock climbing, and attending as many concerts and shows as her schedule allows.

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Have you had a chance to read SECRETS, LIES, AND SCANDALS yet? Do you spend more time outlining than writing? If you outline, do you still have scenes pop in and surprise you? Share your thoughts about the interview in the comments!

Happy reading,

Jocelyn, Shelly, Martina, Anisaa, Sam, Erin, Susan, Michelle, Laura, and Kristin

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Jul 10, 2016

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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