Brenda Drake, author of ANALIESE RISING, on staying on your path

by Jocelyn Rish

We’re excited to have Brenda Drake join us to share more about her latest novel, ANALIESE RISING.

Brenda, what was your inspiration for writing ANALIESE RISING?

The inspiration for ANALIESE RISING came while watching the American Gods series on one lazy, binge-watching, Saturday. It made me want to write gods in our world. What they’d be like today. I also wanted to have them fighting to regain power they’d lost. To pit gods against gods fighting to restore control over mortals. I’ve always loved reading about gods and goddesses and watching movies that were about them. I wanted to explore mythologies around the world that I’d never read about before. Something other than the popular ones we see used a lot in media.

What scene was really hard for you to write and why, and is that the one of which you are most proud? Or is there another scene you particularly love?

Other than the climax and ending, since I don’t want to give that away, I’d say a scene where Analiese and Marek are trapped in a catacomb. Writing scary-ghost stuff isn’t something I’m used to doing, but it was challenging and fun to write and a scene a really love in the book.

What book or books would most resonate with readers who love your book–or visa versa?

I refer to ANALIESE RISING as The Da Vinci Code meets American Gods for young adults. Fans of Half-Blood by Jennifer Armentrout and Antigoddess by Kindare Blake would enjoy this series.

How long or hard was your road to publication? How many books did you write before this one, and how many never got published?

I’ve been writing with the mind set of getting published for over ten years. I wrote many stories before I queried my first manuscript. It was a horrible story. It’s laughable how terrible it was. It was rejected so hard that I didn’t get any requests from agents to read more pages. When I queried agents for Thief of Lies, known as Library Jumpers at the time, the requests for partials and fulls from agents kept rolling in. But still, it took six years to publish it. I had many heartaches and missteps, had to change course a few times, but I never gave up. Everyone’s journey through publishing is different. Some will have a shorter road than others, and it’s those who stay on their path, never giving up, that will have a better chance at realizing their dreams.

ABOUT THE BOOK

Analiese Rising
by Brenda Drake
Paperback
Entangled: Teen
Released 1/8/2019

When a stranger gives Analiese Jordan a list of names before he dies, the last thing she expects to see is her own on it. Not. Cool. Her search for answers leads to the man’s grandson, Marek, who has dangerous secrets of his own. Both are determined to unlock the mystery of the list.

But the truth is deadly. Analiese is a descendant of the God of Death, known as a Riser, with the power to raise the dead and control them. Finding out she has hidden powers? Cool. Finding out she turns corpses into killers? No, thank you.

Now the trail plants her and Marek in the middle of a war between gods who apparently want to raise an army of the Risen, and Analiese must figure out how to save the world―from herself.

Purchase Analiese Rising at Amazon
Purchase Analiese Rising at IndieBound
View Analiese Rising on Goodreads

ABOUT THE AUTHOR

Brenda Drake is a New York Times bestselling author of Thief of Lies (Library Jumpers #1), Guardian of Secrets (Library Jumpers #2), Touching Fate (Fated Series #1), and Cursing Fate (Fated Series #2). She grew up the youngest of three children, an Air Force brat, and the continual new kid at school. She hosts workshops and contests for writers such as Pitch Wars and Pitch Madness on her blog, and holds Twitter pitch parties on the hashtag, #PitMad. When she’s not writing or hanging out with her family, she haunts libraries, bookstores, and coffee shops, or reads someplace quiet and not at all exotic (much to her disappointment).

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Have you had a chance to read ANALIESE RISING yet? Have any of your stories been inspired by a TV series? Are you staying on the path to realizing your publishing dream? Share your thoughts about the interview in the comments!

Happy Reading,

Jocelyn, Halli, Martina, Erin, Susan, Shelly, and Kelly

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Jan 11, 2019

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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