Tiana Smith, author of MATCH ME IF YOU CAN, on not comparing yourself to others

by Jocelyn Rish

We’re delighted to have Tiana Smith with us to chat about her debut novel, MATCH ME IF YOU CAN.

Tiana, what was your inspiration for writing MATCH ME IF YOU CAN?

I’ve always loved rom-coms. Movies, TV shows, books, it doesn’t matter which medium. So I wanted to write a book that gave readers that Happily Ever After satisfied feeling. Match Me If You Can came about because I was watching the movie She’s the Man and I could not stop laughing. I loved the idea of multiple couples getting caught up in one huge comedy of errors. And that’s where the idea started!

What do you hope readers will take away from MATCH ME IF YOU CAN?

I just hope readers enjoy it. It’s meant to be a fluffy, fun book and I hope it leaves readers smiling after they’ve finished it.

What advice would you most like to pass along to other writers?

Don’t compare yourself to others. It’s so easy to do in this industry, but so damaging to your sense of self. There will always be other people hitting lists, getting huge sale numbers, glowing reviews, and a host of other things. Comparing yourself to others is instinctive, almost inevitable. But all those things are outside of your control, and not worth your time. Also, read lots!

ABOUT THE BOOK

Match Me If You Can
by Tiana Smith
Hardcover
Swoon Reads
Released 1/8/2019

Mia’s best friend Robyn is known for her matchmaking skills, which is perfect, because homecoming is just around the corner. But Robyn refuses to set Mia up with the guy of her dreams, which forces Mia to take matters into her own hands. She uses Robyn’s matchmaking service to make sure popular Vince Demetrius falls for her.

Vince asks her out, but Mia doesn’t count on Logan, the persistent school newspaper photographer who seems to like her out of the blue. Now she has to choose between Vince – the guy she knows is right for her – and Logan, who insists that she give him a chance. And she needs to make sure Robyn doesn’t find out that Mia’s been matchmaking behind her back.

Mia has two weeks before homecoming. Can she fix the mess she made or will she have to kiss her perfect match goodbye forever?

Purchase Match Me If You Can at Amazon
Purchase Match Me If You Can at IndieBound
View Match Me If You Can on Goodreads

ABOUT THE AUTHOR

Tiana Smith is a copywriter turned novelist who grew up in the Wild West of Montana. When she isn’t writing, she’s chasing after her ninja boy, reading, or binging the Disney Channel. She’d love to be fluent in sign language, but for now she gets by with awkward hand gestures and even more awkward French. She has double degrees in Honors and English from Westminster College but wants to go back to school to be a lion tamer.

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Have you had a chance to read MATCH ME IF YOU CAN yet? Have any of your stories been inspired by a movie? Are you able to avoid comparing yourself to others? Share your thoughts about the interview in the comments!

Happy Reading,

Jocelyn, Halli, Martina, Erin, Susan, Shelly, and Kelly

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Jan 10, 2019

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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