Jen Wilde, author of QUEENS OF GEEK, on struggling with her own anxieties

by Jocelyn Rish

We are so thrilled to have the chance to sit down with Jen Wilde and talk about her latest novel QUEENS OF GEEK.

Jen, what scene was really hard for you to write and why, and is that the one of which you are most proud? Or is there another scene you particularly love?

It was hard to write about Taylor’s anxiety, in particular her meltdown, because that has always been a part of myself I struggled with and was ashamed of. I worried that no one would be able to relate to her, but in fact her experience of anxiety has been one of the things that readers have related to the most, which is amazing. That makes me incredibly proud.

I also love the ending with Charlie and Alyssa. No spoilers but let’s just say it still makes me grin like a big dork.

How long did you work on QUEENS OF GEEK?

I spent about two weeks plotting and planning the story, then another month writing it before I submitted it to Swoon Reads. It took a few more months of editing, rewrites and tweaking, plus some last-minute changes, to make it what it is today.

What’s your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?

I usually write at home on the couch with a cup of coffee, my laptop and my Spotify playlist. But my hips and back ache if I sit too long so sometimes I’ll switch it up and use my treadmill desk. I’d like to be the cool writer who sits at a coffee shop and writes but I think I’m far too self-conscious and easily distracted for that.

What are you working on now?

I’m actually working on a few different projects at the moment. One is a rockstar romance, another is a contemporary romance set at a protest, and the other is a romance and horror mix about ghost hunters – all YA.

ABOUT THE BOOK

Queens of Geek
by Jen Wilde
Paperback
Swoon Reads
Released 3/14/2017

When BFFs Charlie, Taylor and Jamie go to SupaCon, they know it’s going to be a blast. What they don’t expect is for it to change their lives forever.

Charlie likes to stand out. SupaCon is her chance to show fans she’s over her public breakup with co-star, Jason Ryan. When Alyssa Huntington arrives as a surprise guest, it seems Charlie’s long-time crush on her isn’t as one-sided as she thought.

While Charlie dodges questions about her personal life, Taylor starts asking questions about her own.

Taylor likes to blend in. Her brain is wired differently, making her fear change. And there’s one thing in her life she knows will never change: her friendship with Jamie—no matter how much she may secretly want it to. But when she hears about the Queen Firestone SupaFan Contest, she starts to rethink her rules on playing it safe.

Purchase Queens of Geek at Amazon
Purchase Queens of Geek at IndieBound
View Queens of Geek on Goodreads

ABOUT THE AUTHOR

Jen Wilde is a writer, geek and fangirl with a penchant for coffee, books and pugs. She writes YA stories about zombies (AS THEY RISE), witches (ECHO OF THE WITCH) and fangirls (QUEENS OF GEEK). Her debut series, THE EVA SERIES, reached over three million reads online and became an Amazon bestseller. When not writing, she loves binge-watching her fave shows on Netflix, eating pizza, traveling to far away places and going to conventions in Marty McFly cosplay. Jen lives in a sunny beach-side town in Australia with her husband and their cheeky pug, Heisenberg. She’s a twitter addict, so if you want to chat about her stories or geek out about the latest ep of The Walking Dead, Supernatural or Jessica Jones, tweet her.

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Have you had a chance to read QUEENS OF GEEK yet? Do you connect with Taylor’s anxieties? Which character do you connect with most? Which one of Jen’s next projects can you not wait to read? Share your thoughts about the interview in the comments!

Happy reading,

Emily, Jocelyn, Anisaa, Sam, Martina, Erin,
Susan, Shelly, Kelly, Laura, and Lori Ann

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Mar 18, 2017

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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