Melissa Landers, author of STARFALL, on giving her characters the endings they deserve

by Jocelyn Rish

We are so happy to chat with Melissa Landers about STARFALL, the second book in the Starflight series.

Melissa, what is your favorite thing about STARFALL?

I think my favorite part of writing Starfall was giving Cassia and Kane the character arcs and the endings that they deserve. During Starfall, both of them grow into the people they were meant to be, and there’s nothing more rewarding than that…at least for an author. ☺

What was your inspiration for writing STARFALL?

I drew a great deal of inspiration from American history when writing this series. In book one, I modeled the premise after the events of Westward Expansion, and book two was largely inspired by the rise of Las Vegas, particularly the mafia’s nefarious means of getting—and keeping—employees.

What scene was really hard for you to write and why, and is that the one of which you are most proud? Or is there another scene you particularly love?

I don’t want to reveal too much and spoil you, but the last chapters involving Kane’s struggle were both difficult and rewarding to write. Though it was painful to make him suffer, he emerged from it a stronger person.

How long did you work on STARFALL?

It took me about five months to create a clean draft. After that, I spent another couple of months on revisions, copy edits, etc. before the book was ready for print. So all in all, about seven months.

What are you working on now?

Right now I’m waiting for my edit letter for The Half King, my 2018 release. It’s the first in a high fantasy duology about a failed oracle who leaves her temple sanctuary to serve a mysterious young king who turns to shadow at sunset. Fantasy is a slight departure for me, but I’ve been enjoying it!

ABOUT THE BOOK

Starfall
by Melissa Landers
Hardcover
Disney-Hyperion
Released 2/7/2017

When Princess Cassia Rose fled her home world of Eturia to escape an arranged marriage, she had no idea her sudden departure would spark a war. Now after two years hiding as a ship hand, she is finally returning to her beloved home, but not in the way she imagined. Shackled by bounty hunters, she is violently dragged back to account for her crimes. Her only solace is that the Banshee crew managed to evade capture, including Kane Arric, her best friend … with occasional benefits.

Meanwhile, Kane and the rest of the crew of the Banshee plan a desperate rescue mission. But when they arrive on Eturia, Cassia isn’t exactly in need of heroics—she’s claimed her birthright as Eturia’s queen, but has inherited a war-torn planet simmering with rebellion. Cassia must make alliances, and Kane, the bastard son of a merchant, isn’t a choice that will earn her any friends. Kane knows he will never find someone to replace Cassia—and is certain she returns his feelings—but how can he throw away his own promising future waiting on a queen?

When the outer realm is threatened by the dangerous Zhang mafia, Cassia, Kane and the rest of the Banshee crew uncover a horrifying conspiracy that endangers the entire universe. In the face of unspeakable evil, Cassia must confront her own family’s complicated legacy on Eturia and decide once and for all who her real family is.

Purchase Starfall at Amazon
Purchase Starfall at IndieBound
View Starfall on Goodreads

ABOUT THE AUTHOR

Melissa Landers is a former teacher who left the classroom to pursue other worlds. Melissa Landers writes romantic sci-fi & fantasy for teens and the young at heart. A proud sci-fi geek, she isn’t afraid to wear her Princess Leia costume in public—just ask her husband and three kids. She lives just outside Cincinnati in the town of Loveland, “Sweetheart of Ohio.”

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Have you had a chance to read STARFALL yet? Did you pick up on the historical inspiration in the Starflight series? How did you feel about Kane’s suffering? Do you think it was important in his journey? Share your thoughts about the interview in the comments!

Happy reading,

Emily, Jocelyn, Anisaa, Sam, Martina, Erin,
Susan, Shelly, Kelly, Laura, and Lori Ann

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Mar 18, 2017

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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