Katelyn Detweiler, author of TRANSCENDENT, on stepping outside your comfort zone

by Jocelyn Rish

We’re delighted to have Katelyn Detweiler stop by to tell us more about her latest novel TRANSCENDENT.

Katelyn, what scene was really hard for you to write and why, and is that the one of which you are most proud? Or is there another scene you particularly love?

The hardest scenes for me to write were the moments of Iris finding out a rather extraordinary story about her past. A story that changes everything about who she is now—what she thinks of herself and what others will inevitably think, too. The trickiest part was writing this in a way that was clear and compelling for new readers, but that also spoke to those who read my first book, IMMACULATE. While TRANSCENDENT is written as a standalone, IMMACULATE serves as a prequel—the full backstory—showing readers Iris’s mom as a teenager when this “extraordinary story” first begins. It was a juggling act to keep the details all on track, but I was proud of how it worked out in the end.

What do you hope readers will take away from TRANSCENDENT?

That the little things matter. I think we all can feel utterly helpless in the face of all the depressing stories in our newsfeed—what can we as individuals possibly do to help? That’s how Iris feels, too, when the tragedy in Disney World and the details of her own past collide, and she’s being pushed to do something, be someone better, bigger, braver than who she is. But sometimes it’s not about being extraordinary. It’s about simpler steps, stepping outside your comfort zone and talking to someone new. Listening to their stories.

How long or hard was your road to publication? How many books did you write before this one, and how many never got published?

I’ve had one book out before this—IMMACULATE—and that was also my first ever manuscript. My road to publication was a bit untraditional, since I’m a literary agent by day, and have been through the book process on the other side of things. My agent is also my boss—so asking her to read was one of the most terrifying moments of my life. ☺ But she was wonderful, a cheerleader since day one. I feel ridiculously lucky every single day, working with such smart book people. Lots of love for JGLM!

What are you working on now?

I just finished up a first draft of a third book—ah!—that I am very much excited about. It’s early days still so I’ll refrain from too many details, but it’s totally separate from both TRANSCENDENT and IMMACULATE and it was amazing to start fresh with a new slate of characters.

ABOUT THE BOOK

Transcendent
by Katelyn Detweiler
Hardcover
Viking Books for Young Readers
Released 10/4/2016

When terrorists bomb Disney World, seventeen-year-old Iris Spero is as horrified as anyone else. Then a stranger shows up on her stoop in Brooklyn, revealing a secret about the mysterious circumstances surrounding Iris’s birth, and throwing her entire identity into question. Everything she thought she knew about her parents, and about herself, is a lie.

Suddenly, the press is confronting Iris with the wild notion that she might be “special.” More than just special: she could be the miracle the world now so desperately needs. Families all across the grieving nation are pinning their hopes on Iris like she is some kind of saint or savior. She’s no longer sure whom she can trust—except for Zane, a homeless boy who long ago abandoned any kind of hope. She knows she can’t possibly be the glorified person everyone wants her to be… but she also can’t go back to being safe and anonymous. When nobody knows her but they all want a piece of her, who is Iris Spero now? And how can she—one teenage girl—possibly heal a broken world?

Purchase Transcendent at Amazon
Purchase Transcendent at IndieBound
View Transcendent on Goodreads

ABOUT THE AUTHOR

Katelyn Detweiler was born and raised in Pennsylvania, living in a centuries-old farmhouse surrounded by fields and woods—a setting that fueled her childhood imagination and, many years later, inspired her YA debut, Immaculate. Katelyn is a writer by night (and weekend) and a literary agent by day, representing books for all ages and across all genres. She currently lives, works, and writes in Brooklyn.

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Have you had a chance to read TRANSCENDENT yet? Have you written standalone novels that function as a prequel and sequel to each other? Have you been terrified to have someone specific read your novel? Share your thoughts about the interview in the comments!

Happy reading,

Jocelyn, Shelly, Martina, Anisaa, Sam, Erin, Susan, Michelle, Laura, and Kristin

Jocelyn Rish

Jocelyn Rish is a writer and filmmaker who loves researching weird and wonderful animals and sharing what she learns. Her debut was BATTLE OF THE BUTTS, about ten animals that do weird things with their butts. Her latest book is BATTLE OF THE BRAINS, a Junior Library Guild Gold Standard Selection about ten animals with mind-blowing brain abilities. When she’s not writing, she tutors kids to help them discover the magic of reading. Jocelyn has won numerous awards for her short stories, screenplays, films, and novels and lives in South Carolina with her adorable dog. Find out more at www.jocelynrish.com.

Post @ Jocelyn Rish and/or Adventures in YA Publishing. All rights reserved.

Posted: Oct 8, 2016

Category: Imported from AYAP

Tags: YA Author Interviews

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The first slide is an animation of a science/magic room in a castle. A cartoon character of a mad-scientist looking man in in the foreground says: “Hello! Dr. Frankenstein here to say, Well Done on kid lit zombie week! I’m an expert at reviving the dead, and let me assure you, with a little spark, you can bring dead projects to life. Especially if you dig up parts from other dead things. I’ll even let you have a sneak peek at my laboratory’s store room to consider potential parts for your dead project. If you see something with a yellow glow, that means you should click it. Have fun!”

He points to the right side of the screen and a new scene slides in of a castle science/magic storage room. There are various cartoon Frankenstein body parts scattered around. Some of them have a yellow glow. If you click on them, the images below appear (I’ve added alt text to them, so I hope it works).

The Heart of your story is the main character. The protagonist is the beating core that truly brings your story to life. If your MC doesn't make kids (and their grown-ups) care within the first few pages, your story will flatline. </p>
<p>Your main character needs to be:<br />
• Relatable enough for kids to see themselves<br />
• Unique enough to stand out in the slush pile<br />
• Active enough to drive the story<br />
• Memorable enough to survive multiple readings at bedtime</p>
<p>Where do you find this amazing donor heart? It might be the very thing you loved so much about the manuscript you want to revive. It might be the younger sister from your shelved YA novel. Or maybe it’s the hilarious kid you blogged about meeting at a school visit. Find a character beating with potential and place it in the center of your story.<br />

The Brain of your story is the theme or central message. The theme is the big idea that controls everything else. Picture books are more than stories - they're tiny life lessons disguised with humor and heart.</p>
<p>But your theme needs to be:<br />
• Subtle enough not to trigger the dreaded "didactic" rejection<br />
• Clear enough for a four-year-old to grasp<br />
• Universal enough to speak to both kids and adults<br />
• Fresh enough to prevent agents and editors from responding with "Not another sharing/bedtime/first-day story!"</p>
<p>Check your other dead manuscripts to see if there is a recurring theme, something that really seems to be speaking to you. Find the bit of poetry you scribbled on the back of a receipt to see what theme inspired it. Reread the pep talk you texted your critique partner at 1am. Pick the theme that will drive your story, giving it purpose, direction, and deeper meaning.<br />

The Legs of your story is the plot. Not to be confused with a grave plot.🤪 The plot is what keeps everything upright and moving, as well as providing support for all the other elements. You have very few words to use in a picture book, so you need to do a lot with each plot point.</p>
<p>In general, your plot should:<br />
• Hook readers fast<br />
• Build tension that a child can follow<br />
• Create page turns that feel natural<br />
• Wrap up in a way that satisfies</p>
<p>You can borrow a plot twist (a leg) from one manuscript and the opening (the other leg) from a different manuscript. Consider if the subplot of the middle grade novel you trunked would work better as a picture book. Or maybe your Facebook post about a disastrous camping trip could become a story for kids. Just keep putting one foot in front of the other until you have your storyline.

The Arms of your story are the side characters.

The Torso of your story is the setting. Setting helps a story breathe and connects all the elements of the story. It isn't just where your story lives, it's what makes your story ALIVE. It's the difference between "this happened in a park" and "this happened in that park, the one with the twisty slide that burns your legs and the creaky swing that sounds like a baby crying.”</p>
<p>Your setting should:<br />
• Make your character's world feel real<br />
• Contain your story in a way that makes sense to young readers<br />
• Connect different scenes and moments organically<br />
• Give your illustrator enough room to add visual subplots</p>
<p>Half-finished manuscripts are a great place to dig up settings, since you worked out the place details before the plot petered out. Or maybe you had to cut a second fantastic location from your chapter book. You can also revisit the detailed caption from your Instagram carousel documenting your tour of that delish candy shop. Disinter a robust setting that can house all of your story's vital organs.

After you press the Click When Done circle button, the lights flash with the sound of electricity buzzing. Then the screen goes black and lightning zaps across the screen with the sound of thunder.

The screen then lights up to show the storage room, and all the Frankenstein pieces have been assembled into the whole monster. An upbeat song plays in the background. Then a speech bubble pops up with the words, “I’m alive! I’M ALIVE!” Then the screen goes to black.

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